Galerie Dohyang Lee » Radouan Zeghidour

Adventskalender

Dohyang Lee — Tue, 26 Nov 2024 22:30:01 +0000

Collective exhibition with

Anna Jaccoud, Carolina de la Roche, Charlotte Seidel, Darius Dolatyari-Dolatdoust & Sarah-Anaïs Desbenoit, Elisabeth S. Clark, Hugo Béhérégaray, Jade de Rooster, Jérémy Berton, Jot Fau,
Mackerel Safranski, Moongi Gim, Namhee Kwon, Natalia Villanueva Linares,
Radouan Zeghidour, Ronan Debosque, Sarah Illouz & Marius Escande, Sun Choi and Yeonjin Oh

Available artworks list

14.12 – 28.12.2024

It is a tradition to wait for Christmas and count the days on the Advent Calendar. This end of the year is a time for waiting, introspection and reflection, but also for hope in better days and joy.
Reading a book is a way to patiently wait. The Dohyang Lee Gallery invites visitors to its Adventskalender* (Advent Calendar) which forms a large library where everyone can find own’s « book » that will go with…

+ info

press article by Projets

Jérémy Berton, Welcome Stranger, 2021 – 2022, painted polyurethane resin, varnished plaster, steel rod, 25 x 10 x 22 cm, unique piece
Red Gold, 2021 – 2022, polyurethane resin, varnished plaster, steel rod, 21 x 10 x 21 cm, unique piece
Anna Jaccoud, Sans titre ou Calligramme (Pliés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Sans titre (Sondés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Coin 3, 2024, white painted MDF wastes, coating, squares, 135 x 38 x 48 cm, unique piece
Jade de Rooster, Bargello, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Hexagon, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Honeycomb, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece

Anna Jaccoud, Sans titre (Sondés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Coin 3, 2024, white painted MDF wastes, coating, squares, 135 x 38 x 48 cm, unique piece
Jade de Rooster, Bargello, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Hexagon, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Honeycomb, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Jérémy Berton, Camion 1, 2024, aluminium block, 21 x 10 x 8 cm, unique piece
Camion 2, 2024, aluminium block, 25 x 9,5 x 9,5 cm, unique piece
Camion 3, 2024, aluminium block, 25 x 8,5 x 8,5 cm, unique piece

Sarah Illouz & Marius Escande, Pistachier Térébinthe, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece
Symplocos Paniculata, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece
Mackerel Safranski, Feed the light, 2022, video animation, unique channel, colour, sound, 9’14’’, edition of 5 + 2 AP. Drawing and editing : Mackerel Safranski. Script : Mackerel Safranski. Sound and music : Kim Sung Chool. Sources : La Pesanteur et La Grace, Simon Weil, translated by Jin Yoon,
publication by Moonji Publishing Company
Sarah Illouz & Marius Escande, Aigremoine Eupatoire, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece
Charlotte Seidel, Larmes, 2024, installation, shells, mermaid tears, variable dimensions, unique pieces
Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper,
15 x 34 cm, 15 x 36,6 cm, edition of 3 + 1 AP.

Charlotte Seidel, Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper, 15 x 34 cm, 15 x 36,6 cm,
edition of 3 + 1 AP.
Jot Fau, Charnellement Modèle, 2023, cardboard, foam covered with silk, rope, chestnut tree branch, cotton thread, 28 x 35 x 9 cm, unique piece
Things both great and small, 2023, wood covered with velvet, leather, plastic toy covered with leather, portrait embroidered on leather, 71 x 15 x 15 cm, unique piece
Namhee Kwon, Someone, 2002 remade in 2024, ccrylic on cotton, 8 x 9 x 2 cm, unique piece
An impression of a lecture, 2002 refait en 2024, cotton, 11 x 13,3 x 0,5 cm, unique piece
Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25

Charlotte Seidel, Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper, 15 x 34 cm,
15 x 36,6 cm, edition of 3 + 1 AP.

Charlotte Seidel, Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper, 15 x 34 cm, 15 x 36,6 cm,
edition of 3 + 1 AP.
Jot Fau, Charnellement Modèle, 2023, cardboard, foam covered with silk, rope, chestnut tree branch, cotton thread, 28 x 35 x 9 cm, unique piece
Things both great and small, 2023, wood covered with velvet, leather, plastic toy covered with leather, portrait embroidered on leather, 71 x 15 x 15 cm, unique piece
Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25
Natalia Villanueva Linares, Palette LOD11 (S1), 2024, silk paper bricks, with the performance Lands of Dual11, 60 x 50 cm, unique piece
Couleur LOD11 (S1), 2024, glass pots, colours extracted from Lands of Dual11, first session, 10 cm diameter x 8 cm per pot, unique piece
Poématique XL, LOD11, 2024, kraft paper, acrylic paint, 80 x 50 cm, unique piece

Namhee Kwon, Someone, 2002 remade in 2024, ccrylic on cotton, 8 x 9 x 2 cm, unique piece
An impression of a lecture, 2002 refait en 2024, cotton, 11 x 13,3 x 0,5 cm, unique piece

Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25

Namhee Kwon, Someone, 2002 remade in 2024, ccrylic on cotton, 8 x 9 x 2 cm, unique piece
An impression of a lecture, 2002 refait en 2024, cotton, 11 x 13,3 x 0,5 cm, unique piece
Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25
Natalia Villanueva Linares, Palette LOD11 (S1), 2024, silk paper bricks, with the performance Lands of Dual11, 60 x 50 cm, unique piece
Couleur LOD11 (S1), 2024, glass pots, colours extracted from Lands of Dual11, first session, 10 cm diameter x 8 cm per pot, unique piece

Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25
Natalia Villanueva Linares, Palette LOD11 (S1), 2024, silk paper bricks, with the performance Lands of Dual11, 60 x 50 cm, unique piece
Couleur LOD11 (S1), 2024, glass pots, colours extracted from Lands of Dual11, first session, 10 cm diameter x 8 cm per pot, unique piece
Poématique XL, LOD11, 2024, kraft paper, acrylic paint, 80 x 50 cm, unique piece

Natalia Villanueva Linares, Lands of Dual11, performance

Namhee Kwon, Heo Nanseolheon Poetry Generator_Write Yours, 2024, Polaroid photo, 8,8 x 10,8cm, unique piece
Heo Nanseolheon Poetry Generator_Photo, 2024, Polaroid photo, 8,8 x 10,8cm, unique piece
Jérémy Berton, Sometimes I have bad days, 2021 – 2022, painted polyurethane resin, magnet, wood box, rope, 50 x 8 x 5 cm, edition of 10

Charlotte Seidel, Larmes, 2024, installation, shells, mermaid tears, variable dimensions,
unique pieces
Jérémy Berton, Camion 2, 2024, aluminium block, 25 x 9,5 x 9,5 cm, unique piece
Camion 1, 2024, luminium block, 21 x 10 x 8 cm, unique piece
Camion 3, 2024, aluminium block, 25 x 8,5 x 8,5 cm, unique piece
Welcome Stranger, 2021 – 2022, painted polyurethane resin, varnished plaster, steel rod,
25 x 10 x 22 cm, unique piece
Red Gold, 2021 – 2022, polyurethane resin, varnished plaster, steel rod, 21 x 10 x 21 cm, unique piece
Anna Jaccoud, Sans titre ou Calligramme (Pliés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Sans titre (Sondés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Coin 3, 2024, white painted MDF wastes, coating, squares, 135 x 38 x 48 cm, unique piece
Jade de Rooster, Bargello, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Hexagon, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Honeycomb, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Sarah Illouz & Marius Escande, Pistachier Térébinthe, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece

Hugo Béhérégaray, Les Oiseaux, 2023, ink and watercolour on paper, 32 x 24 cm, unique piece
Le Château, 2023, ink and watercolour on paper, 32 x 24 cm, unique piece
Le Traffic, 2023, ink and watercolour on paper, 32 x 24 cm, unique piece
Yeonjin Oh, Solitaire #56, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #4, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #51, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #24, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #3, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Pastry #16, 2022, chromogenic print, dark green frame, anti reflect glass, 34,5 x 45,5 cm (without frame),
37,5 x 48,5 cm (frame), unique piece
Pastry #17, 2022, chromogenic print, dark brown frame, anti reflect glass, 40,5 x 45 cm (without frame),
43 x 47,5 cm (frame), unique piece
Ronan Debosque, Diorama, 2024, metal, polymethacrylate, water, ionic fogger with ultrasounds, rubber, water pump, 130 x 90 cm (metal tray), 40 x 40 cm (polymethacrylate tray), unique piece

Yeonjin Oh, Solitaire #56, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #4, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #51, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #24, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #3, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Pastry #16, 2022, chromogenic print, dark green frame, anti reflect glass, 34,5 x 45,5 cm (without frame),
37,5 x 48,5 cm (frame), unique piece
Pastry #17, 2022, chromogenic print, dark brown frame, anti reflect glass, 40,5 x 45 cm (without frame),
43 x 47,5 cm (frame), unique piece
Ronan Debosque, Diorama, 2024, metal, polymethacrylate, water, ionic fogger with ultrasounds, rubber, water pump, 130 x 90 cm (metal tray), 40 x 40 cm (polymethacrylate tray), unique piece
Sun Choi, Non Drawn Painting, 2022, oriental pigments and gelatin on duvet covers used by salt workers, 268 x 180 cm, unique pieces

Sun Choi, Non Drawn Painting, 2022, oriental pigments and gelatin on duvet covers used by salt workers,
268 x 180 cm, unique pieces
Carolina de la Roche, Blessure à vif, 2024, collage on paper, frame, 27 x 21 cm without frame, 30 x 24 cm
with frame, unique piece
Convulsion fébrile, 2024, oil on canvas, 41 x 33 cm, unique piece
Mise en abîme, 2024, collage on paper, frame, 26 x 16 cm without frame, 30 x 24 cm with frame, unique piece
Hugo Béhérégaray, La Ville, 2023, ink and acrylic on paper, 124 x 140 cm, unique piece
Moongi Gim, Vicky Cristina Barcelona, 2024, sculpture being part of the series Poor Piece, scotch tape on paper, 70 x 50 x 40 cm, unique piece

Carolina de la Roche, Blessure à vif, 2024, collage on paper, frame, 27 x 21 cm without frame, 30 x 24 cm
with frame, unique piece
Convulsion fébrile, 2024, oil on canvas, 41 x 33 cm, unique piece
Mise en abîme, 2024, collage on paper, frame, 26 x 16 cm without frame, 30 x 24 cm with frame, unique piece
Hugo Béhérégaray, Wheel of Fortune, 2022, watercolour on paper, 30 x 29,5 cm, unique piece
La Ville, 2023, ink and acrylic on paper, 124 x 140 cm, unique piece
Moongi Gim, Vicky Cristina Barcelona, 2024, sculpture being part of the series Poor Piece, scotch tape on paper, 70 x 50 x 40 cm, unique piece
Radouan Zeghidour

Hugo Béhérégaray, Wheel of Fortune, 2022, watercolour on paper, 30 x 29,5 cm, unique piece

Hugo Béhérégaray, La Ville, 2023, ink and acrylic on paper, 124 x 140 cm, unique piece
Moongi Gim, Vicky Cristina Barcelona, 2024, sculpture being part of the series Poor Piece, scotch tape on paper, 70 x 50 x 40 cm, unique piece
Radouan Zeghidour

Radouan Zeghidour

Darius Dolatyari-Dolatdoust & Sarah-Anaïs Desbenoit, Red Room, 2024, set, 4:3 video, 36’54’’, sound, colour, mixt techniques, edition of 5 + 2 AP. Performers artists : Darius Dolatyari-Dolatdoust and Anaïs Commaret. Variable dimensions. Sarah-Anaïs Desbenoit (Images, Lights), Darius Dolatyari-Dolatdoust (Ceramics, Textiles and Choreography), Mathilin Bernard (Chair), Faustine Benton, Asma Berrouachedi and Audrey Gambier (Set assistants), Paul Lajus (Sound), Quentin L’helgouac’h (Camera assistant)
Carafe, 2024, carafe in enameled ceramics, variable dimensions, unique piece
Pois vertical, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Tasses, 2024, cups in enameled ceramics, variable dimensions, unique pieces
Pois pyramide, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Carreaux, 2024, 20 tiles in enameled ceramics, variable dimensions, unique pieces

Darius Dolatyari-Dolatdoust & Sarah-Anaïs Desbenoit, Carafe, 2024, carafe in enameled ceramics, variable dimensions, unique piece
Pois vertical, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Tasses, 2024, cups in enameled ceramics, variable dimensions, unique pieces
Pois pyramide, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Carreaux, 2024, 20 tiles in enameled ceramics, variable dimensions, unique pieces

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73-75 rue Quincampoix 75003 Paris France
Tuesday – Saturday 2 pm – 7 pm and with rendez vous
tel : +33 (0)1 42 77 05 97
www.galeriedohyanglee.com

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Spleen le maudit

Dohyang Lee — Sat, 30 Oct 2021 14:00:10 +0000

Radouan Zeghidour, Spleen le maudit, 2021, video, black and white, sound, 30’, edition of 3 + 1 AP
Sound : Hugo Hannoun
Image and Direction: Radouan Zeghidour
Music : Romeo and Juliet n°13 by Sergei Prokofiev and Je t’écris d’un pays by Les visiteurs du soir.

Viewing upon request

Protected: Spleen le maudit – video

Dohyang Lee — Fri, 22 Oct 2021 15:41:10 +0000

Spleen le maudit

Dohyang Lee — Mon, 27 Sep 2021 14:08:07 +0000

SPLEEN LE MAUDIT

RADOUAN ZEGHIDOUR

Available artworks list.

16.10 – 20.11.2021
Opening on 16.10.2021 from 6 pm to 9 pm

Paris.

On the millenary cobblestones saturated with cameras, heightened individuals are now beeping everywhere. Not only at work, but also in cafés, trains and hospitals. In this dull décor, a sad, awkward, antisocial, solitary outsider wanders about in search of paradise lost.

Legend says he is a direct descendent of Quasimodo. An unfortunate-looking character with an atrabilious temperament, filthy hair and a spleen that takes up so much room in his stomach that his belly always looks swollen. However, this fatally degraded being seemingly doomed by destiny has finally lived his hour of glory thanks to a passion one could qualify as unusual, and which in his case resembles a nervous tick. He writes anywhere, on anything and at any time. Some call him the Destructor, but he calls himself the Graphomaniac, a compulsive, talentless writer. Pacing up and down the millenary cobbled streets of Paris with a heart weighed down by relentless melancholia, claws clutched around a feather pen he calls his little prosthesis, cherishing and cajoling it with the most candid devotion, Spleen wanders about in search of impossible landscapes and forgotten lands. With a tearful eye and closed fist, nostalgic for the lost charm of Paris, he endlessly curses the Rastignacs and Gaudissards of this century, those terrible beings who took away his muse. Oh indignant Muse ! She remorselessly sold herself to the highest bidder, the most grotesque: the youth of open-spaces and avocado toast who crush the soul of Paris with their chintzy dreams, with all the characteristics of the disquieting fervour of dynamic young leaders. To hell with them! Too obsessed by his craze and ruminations against a world of lumens and lost photons, Spleen the Damned, like an eternal disaster obsessed by failure (he collects these experiences like triumphs in a herbarium of defeats in which he takes much pride), hadn’t noticed that his landscape had changed. His city had been transformed. In a short time, surveillance had taken over, and with it, the venin of despotically distilled denunciation.

In a single year, the décor had changed. What am I saying ? The world had changed ! The worst predictions of dystopian stories had come true. Prosaically. In a single year we now live with smart cameras that detect those who go unmasked, drones fly over beaches searching for strollers, codes are established by the best techniques of cryptology and distributed under medical conditions to allow people to move about, take care of themselves or simply drink a cappuccino ! As always, alas !, only the eternal rogues and their legendary blindness are incapable of understanding. But for the rest of us, hell ! How dark has the sky become ! Technological meshing has reached out its wings like the most abominable of the Titans and this frightful chimera has a name: Surveillance. Its tentacular expansion has triumphed over our existence. Nevertheless, Titans never come alone and this one has brought along his equally monstrous sister, a sordid nymph of legendary ugliness, an atrocious villain ! – who goes by the gentle name of Denunciation.

Inquisitors are aplenty and divide the shares of vigilance between themselves: we denounce our neighbour, we denounce the tagger, and we denounce the non-injected. And while these different guilds espouse the city, Spleen, bearing the weight of his hunchback, is hunted down for his illicit writings. The hunters of inscriptions on his heels, the season is open for the clandestine corpus, cameras drawn like bows and arrows, with the informers set on slaughtering the animal, eradicating the monster, and putting an end to such vermin for once and for al l!

However, Spleen is blind to all this, intent on declaiming his flame, endlessly tattooing the millenary body of his stone muse who has always remained impassive, faithful to the muteness of ungrateful women. And while he wanders, groups have set off on the manhunt, tracking him down in order to denounce him and push him onto the public stage, just like his ancestor Quasimodo burned at the stake, his godfather Villon sent to the gallows and his example, Balzac, thrown into jail ! Along with his secret loves Marius Jacob and Dostoyevsky, exiled in penal colonies. The mob has started to hunt down his writings, to collect them in order to destroy them. Fahrenheit ? The Lives of Others ? Not quite but almost !

Spleen, the cursed hunchbacked writer, runs through the streets of Paris, maybe you’ve crossed his path, drawn and haggard with his little bump, ardent heart and generous palm, befriending the rats and feeding the pigeons, dragging along his ball and chain worn like a crown, henceforth without pen and ink. Mad and bewildered, he keeps on running, screaming to whomever the end of the game for him and his brothers, and all the hatred of this new world !

Ever since, he has departed on the traces of his ancestor, with an obscure, old-fashioned circus in an industrial city. He has sent us a paving stone, a book of spells and a sealed trunk as a testimony to his work and the outcome of this new world, all of which it is now our turn to decipher.

Radouan Zeghidour
Translated in English by Emmelene Landon

printalbe version of the press release

Radouan Zeghidour, Degradation, 2021, ceramics, enamel, 30 x 26 cm around, unique piece
Panoptique, 2021, wax, steel tube, variable dimensions, serie of 4 unique pieces
Seul contre tous, 2021, latex, ink, LED tubes, variable dimensions,
unique piece
Fugitif, 2021, ceramics, enamel, 20 x 25 x 12 cm around, unique piece
Rue du cheval blanc, 2021, barre acier, silicone, 197 x 180 cm, pièce unique
Cour des miracles, 2021, latex, steel bars, plaster, ink, LED tubes,
variable dimensions, unique piece
Autodafé, 2021, glyceric rubber, acrylic, 130 x 120 cm, unique piece
Pièce à conviction n°1, 2021, glyceric rubber, latex, canvas, 115 x 130 cm,
unique piece
24 x 24, 2021, ceramics, enamel, variable dimensions , serie of 7 unique pieces
La cavale, 2021, glyceric rubber, acrylic, 164 x 140 cm, unique piece
Vagabond, 2021, ceramics, enamel, 18 x 14 x 10 cm around, unique piece
Vandalisme, 2021, ceramics, enamel, 25 x 19 cm around, unique piece
Royaume de la guenille, 2021, wax, steel tube, ceramics, enamel, variable dimensions , unique piece

Radouan Zeghidour,Bocca della verita, 2021, ceramics, enamel, 17 x 17 cm around, unique piece
Rue du cheval blanc, 2021, steel bars, silicone, 197 x 180 cm, unique piece
Journal du voleur, 2021, ceramics, enamel, 18 x 23 cm around, unique piece
24 x 24, 2021, ceramics, enamel, variable dimensions , serie of 7 unique pieces
Cour des miracles, 2021, latex, steel bars, plaster, ink, LED tubes, variable dimensions, unique piece
Autodafé, 2021, glyceric rubber, acrylic, 130 x 120 cm, unique piece
Pièce à conviction n°1, 2021, glyceric rubber, latex, canvas, 115 x 130 cm,
unique piece

Radouan Zeghidour, Cour des miracles, 2021, latex, steel bars, plaster, ink,
LED tubes, variable dimensions, unique piece
Autodafé, 2021, glyceric rubber, acrylic, 130 x 120 cm, unique piece

Radouan Zeghidour, Journal du voleur, 2021, ceramics, enamel, 18 x 23 cm around, unique piece
24 x 24, 2021, ceramics, enamel, variable dimensions , serie of 7 unique pieces
Cour des miracles, 2021, latex, steel bars, plaster, ink, LED tubes, variable dimensions, unique piece
Autodafé, 2021, glyceric rubber, acrylic, 130 x 120 cm, unique piece
Pièce à conviction n°1, 2021, glyceric rubber, latex, canvas, 115 x 130 cm, unique piece

Radouan Zeghidour, Pièce à conviction n°1, 2021, glyceric rubber, latex, canvas, 115 x 130 cm, unique piece

Radouan Zeghidour, 24 x 24, 2021, ceramics, enamel, variable dimensions , serie of 7 unique pieces
La cavale, 2021, glyceric rubber, acrylic, 164 x 140 cm, unique piece
Vagabond, 2021, ceramics, enamel, 18 x 14 x 10 cm around, unique piece
Vandalisme, 2021, ceramics, enamel, 25 x 19 cm around, unique piece
Royaume de la guenille, 2021, wax, steel tube, ceramics, enamel, variable dimensions , unique piece
Fleurs du mal, 2021, ceramics, enamel, 7 x 5 cm around, unique piece

Radouan Zeghidour, Vagabond, 2021, ceramics, enamel, 18 x 14 x 10 cm around, unique piece
Vandalisme, 2021, ceramics, enamel, 25 x 19 cm around, unique piece
Royaume de la guenille, 2021, wax, steel tube, ceramics, enamel, variable dimensions , unique piece
Fleurs du mal, 2021, ceramics, enamel, 7 x 5 cm around, unique piece

Radouan Zeghidour, Farenheit n°1, 2021, ceramics, enamel, 23 x 15 cm around, unique piece
Farenheit n°2, 2021, ceramics, enamel, 16 x 11 cm around, unique piece
Degradation, 2021, ceramics, enamel, 30 x 26 cm around, unique piece
Panoptique, 2021, wax, steel tube, variable dimensions, serie of 4 unique pieces

Radouan Zeghidour, Paris change mais rien dans ma mélancolie n’a bougé, 2021, glyceric rubber, acrylic, 300 x 120 cm, unique piece

Radouan Zeghidour, Spleen 75, 2021, glyceric rubber, acrylic, canvas, 118 x 137 cm, unique piece
Piece à conviction n°3, 2021, glyceric rubber, acrylic, canvas, 150 x 160 cm, unique piece
Surveillance, 2021, plaster, pigments, tow, 30 x 20 x 55 cm, unique piece
Tagueur vigilant n°1, 2021, wax, steel tube, ceramics, enamel, variable dimensions, unique piece
Piece à conviction n°2, 2021, glyceric rubber, acrylic, canvas, 52 x 76 cm, unique piece

Radouan Zeghidour, Piece à conviction n°3, 2021, glyceric rubber, acrylic, canvas, 150 x 160 cm, unique piece
Surveillance, 2021, plaster, pigments, tow, 30 x 20 x 55 cm, unique piece

Radouan Zeghidour, Tagueur vigilant n°1, 2021, wax, steel tube, ceramics, enamel, variable dimensions, unique piece
Piece à conviction n°2, 2021, glyceric rubber, acrylic, canvas, 52 x 76 cm, unique piece

Radouan Zeghidour, Rue de l’évangile, 2021, plaster, pigments, tow, wood, variable dimensions, unique pieces
Tagueur vigilant n°2, wax, steel tube, ceramics, enamel, variable dimensions, unique piece
Le bossu de Notre Dame, 2021, wax board, welded brass, silver solder, 35 x 35 x 25 cm, unique piece
Octopus, 2021, llatex, ink, LED tubes, variable dimensions, unique piece
Vigilance, 2021, ceramics, enamel, 29 x 32 cm around, unique piece

Radouan Zeghidour, Rue de l’évangile, 2021, plaster, pigments, tow, wood,
variable dimensions, unique pieces

Radouan Zeghidour, Tagueur vigilant n°2, 2021, wax, steel tube, ceramics, enamel, variable dimensions, unique piece
Le bossu de Notre Dame, 2021, wax board, welded brass, silver solder, 35 x 35 x 25 cm, unique piece
Octopus, 2021, latex, ink, LED tubes, variable dimensions, unique piece
Vigilance, 2021, 2021, ceramics, enamel, 29 x 32 cm around, unique piece

Radouan Zeghidour, Vigilance, 2021, ceramics, enamel, 29 x 32 cm around,
unique piece
Spleen 75, 2021, glyceric rubber, acrylic, canvas, 118 x 137 cm, unique piece
Piece à conviction n°3, 2021, glyceric rubber, acrylic, canvas, 150 x 160 cm, unique piece
Surveillance, 2021, plaster, pigments, tow, 30 x 20 x 55 cm, unique piece
Tagueur vigilant n°1, 2021, wax, steel tube, ceramics, enamel, variable dimensions, unique piece
Piece à conviction n°2, 2021, glyceric rubber, acrylic, canvas, 52 x 76 cm,
unique piece
Rue de l’évangile, 2021, plaster, pigments, tow, wood, variable dimensions,
unique pieces
Tagueur vigilant n°2, wax, steel tube, ceramics, enamel, variable dimensions, unique piece
Le bossu de Notre Dame, 2021, wax board, welded brass, silver solder,
35 x 35 x 25 cm, unique piece

Radouan Zeghidour, Spleen le maudit, 2021, video, black and white, sound, 30’, edition of 3 + 1 AP
Sound : Hugo Hannoun, Image and Direction: Radouan Zeghidour
Music : Romeo and Juliet n°13 by Serguei Prokofiev and Je t’écris d’un pays by Les visiteurs du soir

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NEWS

Dohyang Lee — Fri, 07 Aug 2020 15:13:35 +0000

NEWS

CLARISSA BAUMANN

ARTFEM II- Biennal of Macau
Collective exhibition curated by Leonor Veiga
30.09 – 13.12.2020
Macao Museum of Art, Macao

Passarada
Performance inside the collective exhibition Rituelles
10.2020 – 01.2021
Institut d’Art Contemporain Villeurbanne / Rhône Alpes, Villeurbanne, France

JENNY FEAL

Places to be
Collective exhibition curated by Nathalie Viot
25.06.2020 – 02.01.2022
Fondation d’entreprise Martell, Cognac, France

VIOLAINE LOCHU

Modular K
Solo show and performance curated by Bettie Nin
01.10 – 22.11.20
CAC La Traverse, Alfortville, France

Légère et Mouvante
Duo with Joao Fiadeiro curated by Eric Mangion inside the exhibition Moving Things
17.10 – 28.12.20
Centre National d’Art Contemporain Villa Arson, Nice, France

CHARLOTTE SEIDEL

le bruit des choses
Solo show
10.10 – 14.11.2020
Galerie Dohyang Lee, Paris, France

RADOUAN ZEGHIDOUR

Purchase of the artworks Evasion I, Evasion II
and Evasion III
Session 2020
Fonds d’art contemporain – Paris Collections, Paris, France

Comme un parfum d’aventure
Collective exhibition curated by Matthieu Lelièvre and Marilou Laneuville
07.10.2020 – 03.01.2021
MAC Lyon, Lyon, France

Radouan Zeghidour Finalist of SAM Art Projects Prize 2020

Press article in Le Quotidien de l’Art n°2044

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73-75 rue Quincampoix 75003 Paris France
Tuesday – Saturday 2 pm – 7 pm
tel : +33 (0)1 42 77 05 97
www.galeriedohyanglee.com

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Protected: Voyage au bout de la nuit – video

Dohyang Lee — Tue, 29 Oct 2019 14:29:53 +0000

Protected: Sainte Chapelle – video

Dohyang Lee — Wed, 16 Oct 2019 16:08:27 +0000

Sainte Chapelle

Dohyang Lee — Wed, 16 Oct 2019 12:25:09 +0000

Radouan Zeghidour, Sainte Chapelle, video, color, sound, 10′. Edition of 5 + 2 AP.

Viewing upon request

Errance

Dohyang Lee — Thu, 03 Oct 2019 11:02:15 +0000

Radouan Zeghidour, Errance, 2015 – on going, video, color, sound. Edition of 5 + 2 AP.

Viewing upon request

Evasion

Dohyang Lee — Thu, 03 Oct 2019 11:01:55 +0000

Radouan Zeghidour, Evasion, 2018, vidéo, color, sound, 2’35’’. Edition of 5 + 2 AP.

Viewing upon request