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Šaddat

Violaine Lochu, Šaddat, 2018, 16 : 9 HD video, sound, color, English off voice, French subtitle, 12’50’’, edition of 5 + 2 AP Support of Centre National des Arts Plastiques, France and the Ricklundgarden Museum (Sweden) Production Centre National des Arts Plastiques, France Viewing upon request  Read More →

We can be Heroes just for one day

Violaine Lochu, We can be Heroes just for one day, 2017, video, color, sound, 18’, edition of 5 + 2 AP Viewing upon request  Read More →

Abécédaire vocal – Espace

Violaine Lochu, Abécédaire vocal – Espace, 2016, HD video, sound, color, 2’20’’, edition of 5 + 2 AP Viewing upon request  Read More →

Paroles d’Artistes

Violaine Lochu, Paroles d’Artistes, 2015, video, color, sound, 6’45’’, edition of 5 + 2 AP Viewing upon request  Read More →

Fugue #1

Violaine Lochu, Fugue #1, 2014, video dyptich, color, sound, 6’, edition of 5 + 2 AP Production La Marbrerie, Montreuil, France Viewing upon request  Read More →

Chinese whispers

Violaine Lochu, Chinese whispers, 2013, video on monitor, color, sound, 3’, edition of 5 + 2 AP Viewing upon request  Read More →

Lingua Madre

Violaine Lochu, Lingua Madre, 2012, video diptych, cast on 2 flat screens side by side, color, sound, 3′, edition of 5 + 2 AP Viewing upon request  Read More →

Regreso de otra Amalia

Jenny Feal, Regreso de otra Amalia, 2018, vidéo HD, couleur, son monophonique, 25’56’’, édition de 5 + 2 EA Viewing upon request  Read More →

Presque

Presque
PRESQUE THOMAS WATTEBLED With the support for the galleries / exhibition from the  French National Center for Plastic Arts. Extension until Saturday, March 7th 2020 24.01 – 07.03.2020 — « Reality is a false trompe l’oeil » — In a world in which performance is the main goal and one has to be oneself or have only number tens in one’s team, Thomas Wattebled takes hold of the representational... 

No place for losers

Thomas Wattebled, No place for losers, 2014, video installation, video, 10’ on a flat screen hanged on a wall, wood bench, 50 x 150 x 50 cm. Viewing upon request  Read More →