It’s about observing a contemporary practice of drawing, from its origins (construction, concept, narration, iconography…) to its operating mode (its effective direction, the gestures, and the tools used). Fleur Noguera uses the cinematic concept of “Split-screen” to present one side to the practice of drawing which is hers and, through dialogue, a series of references coming from popular culture, the history of painting and contemporary creation on which she bases her research.

Béatrice Meline


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