Galerie Dohyang Lee » Natalia Villanueva

Protected: Nova Dual Lima.1 – video

Dohyang Lee — Sun, 04 May 2025 19:17:19 +0000

Protected: Lands of Dual 11.2 – video

Dohyang Lee — Sun, 04 May 2025 19:14:14 +0000

Palet of Dual 11

Dohyang Lee — Sun, 27 Apr 2025 11:13:34 +0000

Natalia Villanueva Linares, Nova Dual Lima.1, 2024, video, v, 04’56’’, edition of 5 + 2 AP. Film by Alan Poma
Performance Nova Dual Lima.1 in Redondo beach in Lima, Peru, 2024

Viewing upon request

Breathing

Dohyang Lee — Sun, 27 Apr 2025 11:11:20 +0000

Natalia Villanueva Linares, Breathing, 2013, 16 : 9 HD video , colour, sound, 10’09’’, edition of 5 + 2 AP

Viewing upon request

Adventskalender

Dohyang Lee — Tue, 26 Nov 2024 22:30:01 +0000

Collective exhibition with

Anna Jaccoud, Carolina de la Roche, Charlotte Seidel, Darius Dolatyari-Dolatdoust & Sarah-Anaïs Desbenoit, Elisabeth S. Clark, Hugo Béhérégaray, Jade de Rooster, Jérémy Berton, Jot Fau,
Mackerel Safranski, Moongi Gim, Namhee Kwon, Natalia Villanueva Linares,
Radouan Zeghidour, Ronan Debosque, Sarah Illouz & Marius Escande, Sun Choi and Yeonjin Oh

Available artworks list

14.12 – 28.12.2024

It is a tradition to wait for Christmas and count the days on the Advent Calendar. This end of the year is a time for waiting, introspection and reflection, but also for hope in better days and joy.
Reading a book is a way to patiently wait. The Dohyang Lee Gallery invites visitors to its Adventskalender* (Advent Calendar) which forms a large library where everyone can find own’s « book » that will go with…

+ info

press article by Projets

Jérémy Berton, Welcome Stranger, 2021 – 2022, painted polyurethane resin, varnished plaster, steel rod, 25 x 10 x 22 cm, unique piece
Red Gold, 2021 – 2022, polyurethane resin, varnished plaster, steel rod, 21 x 10 x 21 cm, unique piece
Anna Jaccoud, Sans titre ou Calligramme (Pliés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Sans titre (Sondés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Coin 3, 2024, white painted MDF wastes, coating, squares, 135 x 38 x 48 cm, unique piece
Jade de Rooster, Bargello, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Hexagon, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Honeycomb, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece

Anna Jaccoud, Sans titre (Sondés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Coin 3, 2024, white painted MDF wastes, coating, squares, 135 x 38 x 48 cm, unique piece
Jade de Rooster, Bargello, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Hexagon, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Honeycomb, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Jérémy Berton, Camion 1, 2024, aluminium block, 21 x 10 x 8 cm, unique piece
Camion 2, 2024, aluminium block, 25 x 9,5 x 9,5 cm, unique piece
Camion 3, 2024, aluminium block, 25 x 8,5 x 8,5 cm, unique piece

Sarah Illouz & Marius Escande, Pistachier Térébinthe, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece
Symplocos Paniculata, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece
Mackerel Safranski, Feed the light, 2022, video animation, unique channel, colour, sound, 9’14’’, edition of 5 + 2 AP. Drawing and editing : Mackerel Safranski. Script : Mackerel Safranski. Sound and music : Kim Sung Chool. Sources : La Pesanteur et La Grace, Simon Weil, translated by Jin Yoon,
publication by Moonji Publishing Company
Sarah Illouz & Marius Escande, Aigremoine Eupatoire, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece
Charlotte Seidel, Larmes, 2024, installation, shells, mermaid tears, variable dimensions, unique pieces
Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper,
15 x 34 cm, 15 x 36,6 cm, edition of 3 + 1 AP.

Charlotte Seidel, Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper, 15 x 34 cm, 15 x 36,6 cm,
edition of 3 + 1 AP.
Jot Fau, Charnellement Modèle, 2023, cardboard, foam covered with silk, rope, chestnut tree branch, cotton thread, 28 x 35 x 9 cm, unique piece
Things both great and small, 2023, wood covered with velvet, leather, plastic toy covered with leather, portrait embroidered on leather, 71 x 15 x 15 cm, unique piece
Namhee Kwon, Someone, 2002 remade in 2024, ccrylic on cotton, 8 x 9 x 2 cm, unique piece
An impression of a lecture, 2002 refait en 2024, cotton, 11 x 13,3 x 0,5 cm, unique piece
Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25

Charlotte Seidel, Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper, 15 x 34 cm,
15 x 36,6 cm, edition of 3 + 1 AP.

Charlotte Seidel, Kastanjeboom (Marronnier, Jardin Anne Frank, Paris), 2024, Latex printing on blue paper, 15 x 34 cm, 15 x 36,6 cm,
edition of 3 + 1 AP.
Jot Fau, Charnellement Modèle, 2023, cardboard, foam covered with silk, rope, chestnut tree branch, cotton thread, 28 x 35 x 9 cm, unique piece
Things both great and small, 2023, wood covered with velvet, leather, plastic toy covered with leather, portrait embroidered on leather, 71 x 15 x 15 cm, unique piece
Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25
Natalia Villanueva Linares, Palette LOD11 (S1), 2024, silk paper bricks, with the performance Lands of Dual11, 60 x 50 cm, unique piece
Couleur LOD11 (S1), 2024, glass pots, colours extracted from Lands of Dual11, first session, 10 cm diameter x 8 cm per pot, unique piece
Poématique XL, LOD11, 2024, kraft paper, acrylic paint, 80 x 50 cm, unique piece

Namhee Kwon, Someone, 2002 remade in 2024, ccrylic on cotton, 8 x 9 x 2 cm, unique piece
An impression of a lecture, 2002 refait en 2024, cotton, 11 x 13,3 x 0,5 cm, unique piece

Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25

Namhee Kwon, Someone, 2002 remade in 2024, ccrylic on cotton, 8 x 9 x 2 cm, unique piece
An impression of a lecture, 2002 refait en 2024, cotton, 11 x 13,3 x 0,5 cm, unique piece
Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25
Natalia Villanueva Linares, Palette LOD11 (S1), 2024, silk paper bricks, with the performance Lands of Dual11, 60 x 50 cm, unique piece
Couleur LOD11 (S1), 2024, glass pots, colours extracted from Lands of Dual11, first session, 10 cm diameter x 8 cm per pot, unique piece

Elisabeth S. Clark, With, mere, near, together, 2020, china peas with pins, grey cardboard boxes, ribbon, 6 x 6 x 6 cm, edition of 25
Natalia Villanueva Linares, Palette LOD11 (S1), 2024, silk paper bricks, with the performance Lands of Dual11, 60 x 50 cm, unique piece
Couleur LOD11 (S1), 2024, glass pots, colours extracted from Lands of Dual11, first session, 10 cm diameter x 8 cm per pot, unique piece
Poématique XL, LOD11, 2024, kraft paper, acrylic paint, 80 x 50 cm, unique piece

Natalia Villanueva Linares, Lands of Dual11, performance

Namhee Kwon, Heo Nanseolheon Poetry Generator_Write Yours, 2024, Polaroid photo, 8,8 x 10,8cm, unique piece
Heo Nanseolheon Poetry Generator_Photo, 2024, Polaroid photo, 8,8 x 10,8cm, unique piece
Jérémy Berton, Sometimes I have bad days, 2021 – 2022, painted polyurethane resin, magnet, wood box, rope, 50 x 8 x 5 cm, edition of 10

Charlotte Seidel, Larmes, 2024, installation, shells, mermaid tears, variable dimensions,
unique pieces
Jérémy Berton, Camion 2, 2024, aluminium block, 25 x 9,5 x 9,5 cm, unique piece
Camion 1, 2024, luminium block, 21 x 10 x 8 cm, unique piece
Camion 3, 2024, aluminium block, 25 x 8,5 x 8,5 cm, unique piece
Welcome Stranger, 2021 – 2022, painted polyurethane resin, varnished plaster, steel rod,
25 x 10 x 22 cm, unique piece
Red Gold, 2021 – 2022, polyurethane resin, varnished plaster, steel rod, 21 x 10 x 21 cm, unique piece
Anna Jaccoud, Sans titre ou Calligramme (Pliés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Sans titre (Sondés series), 2024, typographic drawing with machine on drawing paper, 53 x 47 cm, unique piece
Coin 3, 2024, white painted MDF wastes, coating, squares, 135 x 38 x 48 cm, unique piece
Jade de Rooster, Bargello, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Hexagon, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Honeycomb, 2023, collage of silkprinted papers on wood board, 60 x 45 cm, unique piece
Sarah Illouz & Marius Escande, Pistachier Térébinthe, 2024, series of 7 felts made of Brigasca sheeps wool, from botanic boards of the 16th century, dyes from Roya valley, 100 x 70 cm front/back, unique piece

Hugo Béhérégaray, Les Oiseaux, 2023, ink and watercolour on paper, 32 x 24 cm, unique piece
Le Château, 2023, ink and watercolour on paper, 32 x 24 cm, unique piece
Le Traffic, 2023, ink and watercolour on paper, 32 x 24 cm, unique piece
Yeonjin Oh, Solitaire #56, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #4, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #51, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #24, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Solitaire #3, 2021, oil on screen printing lm, 29,7 x 21 cm, unique piece
Pastry #16, 2022, chromogenic print, dark green frame, anti reflect glass, 34,5 x 45,5 cm (without frame),
37,5 x 48,5 cm (frame), unique piece
Pastry #17, 2022, chromogenic print, dark brown frame, anti reflect glass, 40,5 x 45 cm (without frame),
43 x 47,5 cm (frame), unique piece
Ronan Debosque, Diorama, 2024, metal, polymethacrylate, water, ionic fogger with ultrasounds, rubber, water pump, 130 x 90 cm (metal tray), 40 x 40 cm (polymethacrylate tray), unique piece

Yeonjin Oh, Solitaire #56, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #4, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #51, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #24, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Solitaire #3, 2021, oil on screen printing film, 29,7 x 21 cm, unique piece
Pastry #16, 2022, chromogenic print, dark green frame, anti reflect glass, 34,5 x 45,5 cm (without frame),
37,5 x 48,5 cm (frame), unique piece
Pastry #17, 2022, chromogenic print, dark brown frame, anti reflect glass, 40,5 x 45 cm (without frame),
43 x 47,5 cm (frame), unique piece
Ronan Debosque, Diorama, 2024, metal, polymethacrylate, water, ionic fogger with ultrasounds, rubber, water pump, 130 x 90 cm (metal tray), 40 x 40 cm (polymethacrylate tray), unique piece
Sun Choi, Non Drawn Painting, 2022, oriental pigments and gelatin on duvet covers used by salt workers, 268 x 180 cm, unique pieces

Sun Choi, Non Drawn Painting, 2022, oriental pigments and gelatin on duvet covers used by salt workers,
268 x 180 cm, unique pieces
Carolina de la Roche, Blessure à vif, 2024, collage on paper, frame, 27 x 21 cm without frame, 30 x 24 cm
with frame, unique piece
Convulsion fébrile, 2024, oil on canvas, 41 x 33 cm, unique piece
Mise en abîme, 2024, collage on paper, frame, 26 x 16 cm without frame, 30 x 24 cm with frame, unique piece
Hugo Béhérégaray, La Ville, 2023, ink and acrylic on paper, 124 x 140 cm, unique piece
Moongi Gim, Vicky Cristina Barcelona, 2024, sculpture being part of the series Poor Piece, scotch tape on paper, 70 x 50 x 40 cm, unique piece

Carolina de la Roche, Blessure à vif, 2024, collage on paper, frame, 27 x 21 cm without frame, 30 x 24 cm
with frame, unique piece
Convulsion fébrile, 2024, oil on canvas, 41 x 33 cm, unique piece
Mise en abîme, 2024, collage on paper, frame, 26 x 16 cm without frame, 30 x 24 cm with frame, unique piece
Hugo Béhérégaray, Wheel of Fortune, 2022, watercolour on paper, 30 x 29,5 cm, unique piece
La Ville, 2023, ink and acrylic on paper, 124 x 140 cm, unique piece
Moongi Gim, Vicky Cristina Barcelona, 2024, sculpture being part of the series Poor Piece, scotch tape on paper, 70 x 50 x 40 cm, unique piece
Radouan Zeghidour

Hugo Béhérégaray, Wheel of Fortune, 2022, watercolour on paper, 30 x 29,5 cm, unique piece

Hugo Béhérégaray, La Ville, 2023, ink and acrylic on paper, 124 x 140 cm, unique piece
Moongi Gim, Vicky Cristina Barcelona, 2024, sculpture being part of the series Poor Piece, scotch tape on paper, 70 x 50 x 40 cm, unique piece
Radouan Zeghidour

Radouan Zeghidour

Darius Dolatyari-Dolatdoust & Sarah-Anaïs Desbenoit, Red Room, 2024, set, 4:3 video, 36’54’’, sound, colour, mixt techniques, edition of 5 + 2 AP. Performers artists : Darius Dolatyari-Dolatdoust and Anaïs Commaret. Variable dimensions. Sarah-Anaïs Desbenoit (Images, Lights), Darius Dolatyari-Dolatdoust (Ceramics, Textiles and Choreography), Mathilin Bernard (Chair), Faustine Benton, Asma Berrouachedi and Audrey Gambier (Set assistants), Paul Lajus (Sound), Quentin L’helgouac’h (Camera assistant)
Carafe, 2024, carafe in enameled ceramics, variable dimensions, unique piece
Pois vertical, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Tasses, 2024, cups in enameled ceramics, variable dimensions, unique pieces
Pois pyramide, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Carreaux, 2024, 20 tiles in enameled ceramics, variable dimensions, unique pieces

Darius Dolatyari-Dolatdoust & Sarah-Anaïs Desbenoit, Carafe, 2024, carafe in enameled ceramics, variable dimensions, unique piece
Pois vertical, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Tasses, 2024, cups in enameled ceramics, variable dimensions, unique pieces
Pois pyramide, 2024, candlestick in enameled ceramics, variable dimensions, unique piece
Carreaux, 2024, 20 tiles in enameled ceramics, variable dimensions, unique pieces

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73-75 rue Quincampoix 75003 Paris France
Tuesday – Saturday 2 pm – 7 pm and with rendez vous
tel : +33 (0)1 42 77 05 97
www.galeriedohyanglee.com

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éco (…..) éco (…..) éco (…….) – part II

Dohyang Lee — Fri, 30 Sep 2022 12:06:49 +0000

Available artworks list.

éco (…..) éco (…..) éco (…….) part II

Collective exhibition with
Alexis Foiny, Anna Tomaszewski, Boris Kurdi, Carolina De La Roche, Charlotte Delval, Charlotte Seidel, Gabriel Moraes Aquino, Jade De Rooster, Joongho Yum, Kyunglynn Chang, Laurent Mareschal, Léa Barbazanges, Léo-Paul Barbaut, Loïs Szymczak, Maëlle Poirier, Max Blotas, Minsook Kang, Moongi Gim, Morgane Porcheron, Natalia Villanueva Linares, Nefeli Papadimouli, Paula Castro, Sun Choi, Thomas Garnier, Violaine Lochu

03.12 – 30.12.2022

The Dohyang Lee Gallery invites you to the second part of its collective exhibition éco (…..) éco (…..) éco (…….). éco 1 is a prefix that comes from the ancient Greek oîkos 2 (house). Unlike the first part, where we dealt with material and social notions, this time we want to ponder upon spiritual notions.

What does HOME mean?

- Legend says that Christmas Day was set for December 25th, in the year 354 AD by Pope Liberius. Indeed, this day corresponded to a pagan feast of the sun’s (rebirt)H, following the winter solstice, theoretical day where the night is the longest. Most people celebrate Christmas with their families and gather home to share memories, look to the future and prepare the new year (as the new sun was expected in this Roman feast).

- In most households there is a profound feeling of l(O)ve among all the members. It is the bond that allows cohesion, solidity and durability between them and to endure the troubles of life. We note a great difference between the atmosphere of Mme de Fleurville’s house and that of the Fichini’s, as described by the Countess de Ségur in her famous trilogy of the Petites Filles Modèles (Good Little Girls). 3

- Let’s imagine someone who lost everything and ended up on the streets. He lives for a while without a home in complete insecurity, sometimes in winter’s cold. Activists and social workers tell that when these people find a home, they can begin a process of personal (rec)O(very), regain dignity, security, rebuild a future and health.

- Some may think of a (com)M(union). Without invoking religion, we think of a communion of people who found a community or a family. This family could be extended like in ancient times, or nuclear like in our present times, but remains a base that allows each person to come into blossom, to build itself.

- Florence Nightingale theorized the practice of nursing after her experience of the Crimean War in the mid 19th century. For her, the need to professionalize a profession, to educate through exercises, to change the condition of housing patients, was the key to reduce diseases. Inside a family, C(are) is one of the essential acts, which is entrusted to parents towards their children in childhood and in return to children towards parents in their old age. This care is often done at home.

- Why not mention the (r)E(turn) of the prodigal son of the parable. Parents falling out with their children, brothers and sisters who no longer speak to each other, friends who separate. Couples who tear themselves apart. Yet the parable tells us of forgiveness, of an unexpected return home of the lost son, which causes the father an infinite joy, but also the jealousy and anger of the eldest son. The return of a lost and found happiness.

1. https://www.oxfordlearnersdictionaries.com/definition/english/eco?q=eco
2. https://en.wiktionary.org/wiki/%CE%BF%E1%BC%B6%CE%BA%CE%BF%CF%82#Ancient_Greek
3. The trilogy includes the Countess of Segur’s novels, Les Malheurs de Sophie, Les Petites Filles Modèles, Les Vacances

Version imprimable du communiqué de presse

Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper, glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video, color + black and white, sound, 14’, edition of 3 + 1 AP
Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers glued on a wood pannel, 120 x 69,8 cm, unique piece
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions, unique piece
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces
Nefeli Papadimouli, Eventail (une couleur de nous-mêmes pour la dernière fois), 2017 – 2021, color catcher paper, oak wood, golden threads,
brass + associated suit, folded fan : 167 cm high, unfolded fan : 280 cm diameter, unique pieces
La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame, 21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP
Skinscapes, 2022, drawing on technical paper, graphite, white wood frame, 3 mm PVC gluing, 2mm anti – reflect glass, 25 x 40 cm (without frame), 44,5 x 62 cm (with frame), unique piece
Vessels, 2022, drawing on technical paper, graphite, oak wood frame, Marie Louise, glass, 27 x 39,5 (without frame), 37,5 x 49,5 cm (with frame), unique piece

Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP

Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces

Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP

Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions, unique piece
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece

Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video,
color + black and white, sound, 14’, edition of 3 + 1 AP
Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers
glued on a wood pannel, 120 x 69,8 cm, unique piece
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions,
unique piece

Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video,
color + black and white, sound, 14’, edition of 3 + 1 AP
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions,
unique piece

Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers glued on a wood pannel, 120 x 69,8 cm, unique piece

Nefeli Papadimouli, Eventail (une couleur de nous-mêmes pour la dernière fois), 2017 – 2021, color catcher paper, oak wood, golden threads, brass + associated suit, folded fan : 167 cm high, unfolded fan : 280 cm diameter, unique pieces
La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame, 21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP
Skinscapes, 2022, drawing on technical paper, graphite, white wood frame, 3 mm PVC gluing, 2mm anti – reflect glass, 25 x 40 cm (without frame), 44,5 x 62 cm (with frame), unique piece
Vessels, 2022, drawing on technical paper, graphite, oak wood frame, Marie Louise, glass, 27 x 39,5 (without frame), 37,5 x 49,5 cm (with frame), unique piece
Carolina De La Roche,Sans titre, 2022, collage, frame, glass, 18 x 13 cm (without frame), 31 x 25 cm (with frame), unique piece
Cartographie des souvenirs, 2020, fabric collage, frame, glass, 20 x 20 cm (without frame), 23 x 23 cm (with frame), unique piece
Ver de cerca, 2018, collage, frame, glass, 11,5 x 9 cm (without frame),
15 x 20 cm (with frame), unique piece
Trémula, 2021, collage, frame, glass, 21 x 15 cm (without frame),
32,5 x 26 cm (with frame), unique piece
Vagabundos Buscando significacion, 2019, collage, frame, glass, 22 x 14 cm (without frame), 37 x 28 cm (with frame), unique piece
Los Tortolitos, 2021, collage, frame, glass, 35 x 25 cm (without frame), 56 x 40,5 cm (with frame), unique piece
Sans titre, 2022, pencil drawing, frame, glass, 14 x 9 cm (without frame), 27 x 21 cm (with frame), unique piece
Sans titre, 2022, collage, frame, glass, 23 x 17 cm (without frame), 26 x 20 cm (with frame), unique piece

Nefeli Papadimouli, La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame,
21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP

Charlotte Seidel, Feuille (Robinier, Square Viviani), 2022, robinia leaves, 23kt gold leaf, 25 x 7,5 x 3,5 cm, unique piece
Boris Kurdi, Sans titre, 2022, graphite and color pencils on green paper, cardboard, 11,9 x 17,6 cm (drawing), 12,7 x 18,4 cm (cardboard),
unique piece
DRDR, 2022, graphite and color pencils on paper, cardboard, 12,2 x 19,4 cm (drawing), 13 x 20,1 cm (cardboard), unique piece
Sans titre, 2022, graphite and color pencils on paper, cardboard, 8,9 x 13,6 cm (drawing), 9,6 x 14,6 cm (cardboard, unique piece

Charlotte Seidel, Feuille (Robinier, Square Viviani), 2022, robinia leaves, 23kt gold leaf, 25 x 7,5 x 3,5 cm, unique piece

Kyunglynn Chang, Not so functional objects (Grey), 2022, digital printing on poster, 42 x 29,7 cm, edition of 50
Not so functional objects (Navy), 2022, digital printing on poster,
42 x 29,7 cm, edition of 50
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation,
ennameld ceramics, dimensions variables, unique pieces
Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper
, variable dimensions, unique pieces
Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti re ects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece

Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper, variable dimensions, unique pieces

Kyunglynn Chang, Dasik Incense Holder (Light Blue), 2022, jesmonite, pigments, epoxy glue, 13 x 13 x 3 cm, edition of 5
Dasik Incense Holder (Purple), 2022, jesmonite, pigments, epoxy glue, 13 x 13 x 3 cm, edition of 5

Kyunglynn Chang, Not so functional objects (Grey), 2022, digital printing on poster, 42 x 29,7 cm, edition of 50
Not so functional objects (Navy), 2022, digital printing on poster,
42 x 29,7 cm, edition of 50
Dasik Incense Holder (Light Blue), 2022, jesmonite, pigments, epoxy glue,
13 x 13 x 3 cm, edition of 5
Dasik Incense Holder (Purple), 2022, jesmonite, pigments, epoxy glue,
13 x 13 x 3 cm, edition of 5
Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper, variable dimensions, unique pieces

Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread,
47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP
Gabriel Moraes Aquino, Jimmy, 2022, ennameld ceramics, 14 x 9,5 cm, unique piece. Production Fondation Fiminco
Sakuras, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece. Production Fondation Fiminco
Sapinière, 2022, ennameld ceramics, 11 x 8 cm, unique piece. Production Fondation Fiminco
Canal, 2022, ennameld ceramics, 10 x 13 cm, unique piece. Production Fondation Fiminco

Anna Tomaszewski, Apokalupto, 2021, ceramics, ennamel, 42 x 21 x 7 cm,
unique piece
Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces
Gabriel Moraes Aquino, Pelouse, 2022, ennameld ceramics, 8 x 14 cm,
unique piece. Production Fondation Fiminco
Monnaie, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece.
Production Fondation Fiminco
Paddock, 2022, ennameld ceramics, 13 x 13,5 cm, unique piece.
Production Fondation Fiminco
Usine, 2022, ennameld ceramics, 14 x 10 cm, unique piece.
Production Fondation Fiminco
Flor Metal, 2022, ennameld ceramics, 6,5 x 10 cm, unique piece.
Production Fondation Fiminco
Squat, 2022, ennameld ceramics, 7 x8 cm, unique piece.
Production Fondation Fiminco
Tank, 2022, ennameld ceramics, 10 x 7,5 cm, unique piece.
Production Fondation Fiminco
Chantier, 2022, ennameld ceramics, 7 x 6 cm, unique piece.
Production Fondation Fiminco
Jimmy, 2022, ennameld ceramics, 14 x 9,5 cm, unique piece.
Production Fondation Fiminco
Sakuras, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece.
Production Fondation Fiminco
Sapinière, 2022, ennameld ceramics, 11 x 8 cm, unique piece.
Production Fondation Fiminco
Canal, 2022, ennameld ceramics, 10 x 13 cm, unique piece.
Production Fondation Fiminco
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP

Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces

Paula Castro, Juntos y Tensos, 2014, nails, elastic band, variable dimensions, unique piece
Violaine Lochu, Hòxó #vossakpé, 2021, video diptych in collaboration with Marcel Gbeffa, 2 flat screens, color, sound, 9’36’’, edition of 5 + 2 AP. Video images : Cécile Friedmann. Production FRAC MECA Nouvelle Aquitaine, Bordeaux, France
Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece
Anna Tomaszewski, Apokalupto, 2021, laser photography, 150 x 125 cm,
edition of 5 + 2 AP
Apokalupto, 2021, ceramics, ennamel, 42 x 21 x 7 cm, unique piece
Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP

Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece

Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP
Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel, frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Joongho Yum, Sous la peau, 2018, archival pigment printing on Ivory Mat paper,
70 x 105 cm, edition of 5 + 1 AP
Max Blotas, Lovers are like bees, in that they live a honeyed life (Amantes ut apis vitam mellitam exigunt), 2021, time capsule, chewing-gum, blu tack, thorns, motor, infrared camera, LED, electrical wire, microcontroller, 45 x 35 x 170 cm,
unique piece
Charlotte Delval, Sans Laisse, 2020, brads, plaster, golden ring, 14 x 8,5 x 4 cm, unique piece

Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel,
frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Cloudboy, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 17 x 19 x 2,5 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
19Inside, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 21 x 21 x 6 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Joongho Yum, Sous la peau, 2018, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Max Blotas, Lovers are like bees, in that they live a honeyed life (Amantes ut apis vitam mellitam exigunt), 2021, time capsule, chewing-gum, blu tack, thorns, motor, infrared camera, LED, electrical wire, microcontroller, 45 x 35 x 170 cm, unique piece
Thopter (R), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicen linnei), foies (sarcophaga carnaria), mantes (mantis religiosa) and spiders (hogna radiata), 3,5 x 2,5 x 3 cm, unique piece
Thopter (B), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicien linnei), mantes (mantis religiosa), moths (saturnia pyri), scorpions (tetratrichobothrius avicaudis), 4,5 x 3,5 x 4 cm, unique piece
Thopter (G), 2019, miniature car (1/64), parts of ants (lasius Niger), bee (apis mellifera), centipedes (scolopendra cingulata), flies (musca domestica), mantes (mantis religiosa), scarab (copris lunaris), scorpions (tetratrichobothrius avicaudis), wasps (vespula vulgaris), 4,5 x 3,5 x 4 cm, unique piece

Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2,
frame, glass, 100 x 150 cm, edition of 2 + AP
Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel,
frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Cloudboy, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 17 x 19 x 2,5 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
19Inside, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 21 x 21 x 6 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces

Léo-Paul Barbaut, Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm, brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm, brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces

Max Blotas, Thopter (R), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicen linnei), foies (sarcophaga carnaria), mantes (mantis religiosa) and spiders (hogna radiata), 3,5 x 2,5 x 3 cm, unique piece
Thopter (B), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicien linnei), mantes (mantis religiosa), moths (saturnia pyri), scorpions (tetratrichobothrius avicaudis), 4,5 x 3,5 x 4 cm, unique piece
Thopter (G), 2019, miniature car (1/64), parts of ants (lasius Niger), bee (apis mellifera), centipedes (scolopendra cingulata), flies (musca domestica), mantes (mantis religiosa), scarab (copris lunaris), scorpions (tetratrichobothrius avicaudis), wasps (vespula vulgaris), 4,5 x 3,5 x 4 cm, unique piece

Maëlle Poirier, Rose Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece
Pseudo, 2020, vidéo from a website page, loop, color mute, 1 h, edition of 5 + 2 AP
Bubble Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece
Symbiose, 2022, ideo (repetitive programme) on screen (16 x 10 cm), plastic box/aquarium (21 x 12,5 x 13,5 cm), mineral oil, pearls, threads
Apple Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece

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Protected: Breathing – video

Dohyang Lee — Sat, 20 Feb 2021 12:54:23 +0000

Natalia Villanueva Linares

Dohyang Lee — Fri, 17 Apr 2020 10:11:24 +0000

Natalia Villanueva Linares

bio / text / works / press / publications

vidéo

Zoom Projection III

Dohyang Lee — Fri, 30 Dec 2016 22:49:52 +0000

ZOOM – Projection III

Les Fileuses (The Spinners)

with Clarissa Baumann, Minia Biabiany and Natalia Villanueva Linares

Opening on Saturday, January 28th 2017 from 6 pm to 9 pm
28.01 – 25.02.2017

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“ Parcae, announce his fate… ” For this exhibition, we would like to listen to the famous trio from Hippolyte and Aricie 1. There is a strange chance between the fact to display films from three women artists, and the thready expression that is common to all. However, we will not evoke here nor the ancient goddesses, but the strong originality of each artist and their respective videos. Why not singing Aguas de Março 2, while pondering about Clarissa Baumann’s artworks? From the first lyrics, only the stone would remain, but the end of the road would be replaced by the sea or chance. For Minia Biabiany, the drawing does not tell a linear story but shows a back and forth sight like it were a crossing. Would the moving pictures be memories on blackboard? The profusion of colors, the delicacy of the threads in the installation Sisters and the video Breathing by Natalia Villanueva makes us wonder about one question : Are the colorful threads which join toghether a metaphor of the birth of everything, of a common origin, but also we are individualities, as for these threads, with one individual fate?

Clarissa Baumann is an artist born in Rio de Janeiro. She posseses a double cursus as she graduated from the Escola Superior de Desenho Industrial da Universidade do Estado do Rio de Janeiro and the National Superior Fine Arts School of Paris. She was also trained in contemporary dance in the Angel Vianna Escola e Faculdade de Dança. Clarissa Baumann is the winner of the Beaux-Arts de Paris Prize and the Adagp Révélation des Arts Plastiques Prize in 2016. Passing in transit between technical drawing, plastic arts and dance, the research of Clarissa Baumann puts a question to the place of the body and daily actions in the middle of a constructivist and functional conception of the world. Taking the shape of a play between short-lived processes and various media that question the limits between visible and invisible, her work builds itself from actions occurring on contexts and already existing relations.
The artist proposes a new installation Pli, contrepoids made of a thread that begins from outside the gallery space, then pierces the window and finishes its way wrapped into a street paving stone imported from Rio de Janeiro. The video Architecture pour la mer shows a view of Rio de Janeiro in which a sea line crosses horizontaly the frame of a window. While trying to add a perpendicular to that horizon, a sewing thread is unwrapped from the inside of the house, crossing the sinous architecture of Burle Marx, the roads, and the sand until the seafront. In Eloge du hasard, Clarissa Baumann throws three dice on barges that transport clay along the Seine river. This version of a failed Mallarmé activates an action which result will never be summarized : each barge continues its way : the clay could be poured in various points of the city or continue its infinite route to more distant harbours, in China or Mexico…

Minia Biabiany was born in Guadeloupe Island, in 1988. She graduated from the National Superior Fine Arts School of Lyon, in 2011. She lives and works between Paris and Mexico D.F. Her work questions the interlacing between intimacy and politics from the place and the territory. Her installations in situ consider the space as the origin and build poetics of the place from its features and from objects conveying personal and collective history. (from her Caribeean origins). In February, 2016, she introduced and realized collectively the semillero Caribe, an educational and artistic experiment questioning concepts of Caribbean authors through the body. The video Blue spelling… was realized by accumulation of drawings made by chalk on a blackboard and photographed with a fixed centring. The repetition of drawings and the always jerky changing rhythm of Blue spelling… lead an elusive image, which resists to be totally understood. The artwork spells our forgettings, writes a doubt in the black surface and the not linear time of a History made from breaks. A release of body which looks itself; an imagination of the representation of the black body, of how it sees itself and of how its vision of itself builds. In the light sleep, the perception of time differs for the broken echo. The chalk spells in soft speed an exile, and the repetition draws between obstinacy and disappearance.

Natalia Villanueva Linares is a French Peruvian artist who graduated from the National Superior Fine Arts School of Paris with the congratulations from the jury. Her work has been shown in two major exhibitions at the Palais des Beaux Arts in Paris, in galleries and art fairs in Los Angeles, Madrid, Chicago, Peoria, IL (USA), Berlin, and Lima. She is the founder of the art magazine Ukay-zine. Natalia has two distinct approaches of her work : she builds moments with a monumental feel for volume and colors and she unveils detail oriented situations charged with an intense metaphorical spirit. She often moves into the destruction of an object to produce transformations, opening the object to others, allowing destruction to become a gesture of distribution in which the notion of devotion is born. Most pieces have a protective role, they sacralize overproduction to highlight a multitude of sui generis imperfections.
For Sisters 1 – 10, each sister is a metal box of different colors and sizes. These opened boxes are put on a shelf, and contain a quantity of used wooden thread spools. All the threads go out from the box to meet in the same point nailed to the wall. This gesture allows to make visible the contents of each, what they have the thiner and colored. The film Breathing captures bunch by bunch, the creation of the piece Sister n°0. It is an encounter between the generosity of the object, a part of its history, and the viewer. The action is vital to the becoming of the piece and reveals the symbolic nature of the materials that are offered, little by little, as they are transformed into writing, words hidden from the gaze but present through strong sensitive evidence.

1 : Hippolyte and Aricie (1733) is an opera by Jean-Philippe Rameau.
2 : Aguas de Março (1972) is a song by Antonio Carlos Jobim.

printable version

Clarissa Baumann, Pli, Contrepoids, 2017, thread, stone (pavement), variable dimensions, ephemeral installation

Clarissa Baumann, Pli, Contrepoids, 2017, thread, stone (pavement), variable dimensions, ephemeral installation
Architecture pour la mer, 2014, HD video of a performance, color, sound, 5’, edition of 5 + 2 AP/caption]

[caption id="attachment_9386" align="aligncenter" width="800"]

Natalia Villanueva Linares, Sisters 1 – 10, 2014, installation, 10 metal boxes, threads from spools, variable dimensions, unique pieces
Breathing, 2013, HD video 16 : 9, color, sound, 10’09’’, edition of 5 + 2 AP

NNatalia Villanueva Linares, Sisters 1 – 10, 2014, installation, 10 metal boxes, threads from spools, variable dimensions, unique pieces

Natalia Villanueva Linares, Sisters 1 – 10, 2014, installation, 10 metal boxes, threads from spools, variable dimensions, unique pieces

Natalia Villanueva Linares, Breathing, 2013, HD video 16 : 9, color, sound, 10’09’’, edition of 5 + 2 AP

Natalia Villanueva Linares, Sisters 1 – 10, 2014, installation, 10 metal boxes, threads from spools, variable dimensions, unique pieces

Minia Biabiany, Blue spelling a change of perspective is a change of temporality, 2016, HD video, color, mute, 02’26’’, edition of 5 + 2 AP

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73-75 rue Quincampoix 75003 Paris France
Tuesday – Saturday 11 am – 1 pm // 2 pm – 7 pm
tel : +33 (0)1 42 77 05 97
www.galeriedohyanglee.com

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