Collective exhibition with
Alexis Foiny, Anna Tomaszewski, Boris Kurdi, Carolina De La Roche, Charlotte Delval, Charlotte Seidel, Gabriel Moraes Aquino, Jade De Rooster, Joongho Yum, Kyunglynn Chang, Laurent Mareschal, Léa Barbazanges, Léo-Paul Barbaut, Loïs Szymczak, Maëlle Poirier, Max Blotas, Minsook Kang, Moongi Gim, Morgane Porcheron, Natalia Villanueva Linares, Nefeli Papadimouli, Paula Castro, Sun Choi, Thomas Garnier, Violaine Lochu
The Dohyang Lee Gallery invites you to the second part of its collective exhibition éco (…..) éco (…..) éco (…….). éco 1 is a prefix that comes from the ancient Greek oîkos 2 (house). Unlike the first part, where we dealt with material and social notions, this time we want to ponder upon spiritual notions.
What does HOME mean?
- Legend says that Christmas Day was set for December 25th, in the year 354 AD by Pope Liberius. Indeed, this day corresponded to a pagan feast of the sun’s (rebirt)H, following the winter solstice, theoretical day where the night is the longest. Most people celebrate Christmas with their families and gather home to share memories, look to the future and prepare the new year (as the new sun was expected in this Roman feast).
- In most households there is a profound feeling of l(O)ve among all the members. It is the bond that allows cohesion, solidity and durability between them and to endure the troubles of life. We note a great difference between the atmosphere of Mme de Fleurville’s house and that of the Fichini’s, as described by the Countess de Ségur in her famous trilogy of the Petites Filles Modèles (Good Little Girls). 3
- Let’s imagine someone who lost everything and ended up on the streets. He lives for a while without a home in complete insecurity, sometimes in winter’s cold. Activists and social workers tell that when these people find a home, they can begin a process of personal (rec)O(very), regain dignity, security, rebuild a future and health.
- Some may think of a (com)M(union). Without invoking religion, we think of a communion of people who found a community or a family. This family could be extended like in ancient times, or nuclear like in our present times, but remains a base that allows each person to come into blossom, to build itself.
- Florence Nightingale theorized the practice of nursing after her experience of the Crimean War in the mid 19th century. For her, the need to professionalize a profession, to educate through exercises, to change the condition of housing patients, was the key to reduce diseases. Inside a family, C(are) is one of the essential acts, which is entrusted to parents towards their children in childhood and in return to children towards parents in their old age. This care is often done at home.
- Why not mention the (r)E(turn) of the prodigal son of the parable. Parents falling out with their children, brothers and sisters who no longer speak to each other, friends who separate. Couples who tear themselves apart. Yet the parable tells us of forgiveness, of an unexpected return home of the lost son, which causes the father an infinite joy, but also the jealousy and anger of the eldest son. The return of a lost and found happiness.
2. https://en.wiktionary.org/wiki/%CE%BF%E1%BC%B6%CE%BA%CE%BF%CF%82#Ancient_Greek
3. The trilogy includes the Countess of Segur’s novels, Les Malheurs de Sophie, Les Petites Filles Modèles, Les Vacances
Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper, glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video, color + black and white, sound, 14’, edition of 3 + 1 AP
Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers glued on a wood pannel, 120 x 69,8 cm, unique piece
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions, unique piece
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces
Nefeli Papadimouli, Eventail (une couleur de nous-mêmes pour la dernière fois), 2017 – 2021, color catcher paper, oak wood, golden threads,
brass + associated suit, folded fan : 167 cm high, unfolded fan : 280 cm diameter, unique pieces
La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame, 21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP
Skinscapes, 2022, drawing on technical paper, graphite, white wood frame, 3 mm PVC gluing, 2mm anti – reflect glass, 25 x 40 cm (without frame), 44,5 x 62 cm (with frame), unique piece
Vessels, 2022, drawing on technical paper, graphite, oak wood frame, Marie Louise, glass, 27 x 39,5 (without frame), 37,5 x 49,5 cm (with frame), unique piece
Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces
Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper, glass, 50 x 65 cm, unique piece
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions, unique piece
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video,
color + black and white, sound, 14’, edition of 3 + 1 AP
Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers
glued on a wood pannel, 120 x 69,8 cm, unique piece
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions,
unique piece
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video,
color + black and white, sound, 14’, edition of 3 + 1 AP
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions,
unique piece
Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers glued on a wood pannel, 120 x 69,8 cm, unique piece
Nefeli Papadimouli, Eventail (une couleur de nous-mêmes pour la dernière fois), 2017 – 2021, color catcher paper, oak wood, golden threads, brass + associated suit, folded fan : 167 cm high, unfolded fan : 280 cm diameter, unique pieces
La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame, 21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP
Skinscapes, 2022, drawing on technical paper, graphite, white wood frame, 3 mm PVC gluing, 2mm anti – reflect glass, 25 x 40 cm (without frame), 44,5 x 62 cm (with frame), unique piece
Vessels, 2022, drawing on technical paper, graphite, oak wood frame, Marie Louise, glass, 27 x 39,5 (without frame), 37,5 x 49,5 cm (with frame), unique piece
Carolina De La Roche,Sans titre, 2022, collage, frame, glass, 18 x 13 cm (without frame), 31 x 25 cm (with frame), unique piece
Cartographie des souvenirs, 2020, fabric collage, frame, glass, 20 x 20 cm (without frame), 23 x 23 cm (with frame), unique piece
Ver de cerca, 2018, collage, frame, glass, 11,5 x 9 cm (without frame),
15 x 20 cm (with frame), unique piece
Trémula, 2021, collage, frame, glass, 21 x 15 cm (without frame),
32,5 x 26 cm (with frame), unique piece
Vagabundos Buscando significacion, 2019, collage, frame, glass, 22 x 14 cm (without frame), 37 x 28 cm (with frame), unique piece
Los Tortolitos, 2021, collage, frame, glass, 35 x 25 cm (without frame), 56 x 40,5 cm (with frame), unique piece
Sans titre, 2022, pencil drawing, frame, glass, 14 x 9 cm (without frame), 27 x 21 cm (with frame), unique piece
Sans titre, 2022, collage, frame, glass, 23 x 17 cm (without frame), 26 x 20 cm (with frame), unique piece
Nefeli Papadimouli, La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame,
21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP
Charlotte Seidel, Feuille (Robinier, Square Viviani), 2022, robinia leaves, 23kt gold leaf, 25 x 7,5 x 3,5 cm, unique piece
Boris Kurdi, Sans titre, 2022, graphite and color pencils on green paper, cardboard, 11,9 x 17,6 cm (drawing), 12,7 x 18,4 cm (cardboard),
unique piece
DRDR, 2022, graphite and color pencils on paper, cardboard, 12,2 x 19,4 cm (drawing), 13 x 20,1 cm (cardboard), unique piece
Sans titre, 2022, graphite and color pencils on paper, cardboard, 8,9 x 13,6 cm (drawing), 9,6 x 14,6 cm (cardboard, unique piece
Charlotte Seidel, Feuille (Robinier, Square Viviani), 2022, robinia leaves, 23kt gold leaf, 25 x 7,5 x 3,5 cm, unique piece
Kyunglynn Chang, Not so functional objects (Grey), 2022, digital printing on poster, 42 x 29,7 cm, edition of 50
Not so functional objects (Navy), 2022, digital printing on poster,
42 x 29,7 cm, edition of 50
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation,
ennameld ceramics, dimensions variables, unique pieces
Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper
, variable dimensions, unique pieces
Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti re ects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece
Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper, variable dimensions, unique pieces
Kyunglynn Chang, Dasik Incense Holder (Light Blue), 2022, jesmonite, pigments, epoxy glue, 13 x 13 x 3 cm, edition of 5
Dasik Incense Holder (Purple), 2022, jesmonite, pigments, epoxy glue, 13 x 13 x 3 cm, edition of 5
Kyunglynn Chang, Not so functional objects (Grey), 2022, digital printing on poster, 42 x 29,7 cm, edition of 50
Not so functional objects (Navy), 2022, digital printing on poster,
42 x 29,7 cm, edition of 50
Dasik Incense Holder (Light Blue), 2022, jesmonite, pigments, epoxy glue,
13 x 13 x 3 cm, edition of 5
Dasik Incense Holder (Purple), 2022, jesmonite, pigments, epoxy glue,
13 x 13 x 3 cm, edition of 5
Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper, variable dimensions, unique pieces
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread,
47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP
Gabriel Moraes Aquino, Jimmy, 2022, ennameld ceramics, 14 x 9,5 cm, unique piece. Production Fondation Fiminco
Sakuras, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece. Production Fondation Fiminco
Sapinière, 2022, ennameld ceramics, 11 x 8 cm, unique piece. Production Fondation Fiminco
Canal, 2022, ennameld ceramics, 10 x 13 cm, unique piece. Production Fondation Fiminco
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread,
47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Anna Tomaszewski, Apokalupto, 2021, ceramics, ennamel, 42 x 21 x 7 cm,
unique piece
Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces
Gabriel Moraes Aquino, Pelouse, 2022, ennameld ceramics, 8 x 14 cm,
unique piece. Production Fondation Fiminco
Monnaie, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece.
Production Fondation Fiminco
Paddock, 2022, ennameld ceramics, 13 x 13,5 cm, unique piece.
Production Fondation Fiminco
Usine, 2022, ennameld ceramics, 14 x 10 cm, unique piece.
Production Fondation Fiminco
Flor Metal, 2022, ennameld ceramics, 6,5 x 10 cm, unique piece.
Production Fondation Fiminco
Squat, 2022, ennameld ceramics, 7 x8 cm, unique piece.
Production Fondation Fiminco
Tank, 2022, ennameld ceramics, 10 x 7,5 cm, unique piece.
Production Fondation Fiminco
Chantier, 2022, ennameld ceramics, 7 x 6 cm, unique piece.
Production Fondation Fiminco
Jimmy, 2022, ennameld ceramics, 14 x 9,5 cm, unique piece.
Production Fondation Fiminco
Sakuras, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece.
Production Fondation Fiminco
Sapinière, 2022, ennameld ceramics, 11 x 8 cm, unique piece.
Production Fondation Fiminco
Canal, 2022, ennameld ceramics, 10 x 13 cm, unique piece.
Production Fondation Fiminco
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces
Paula Castro, Juntos y Tensos, 2014, nails, elastic band, variable dimensions, unique piece
Violaine Lochu, Hòxó #vossakpé, 2021, video diptych in collaboration with Marcel Gbeffa, 2 flat screens, color, sound, 9’36’’, edition of 5 + 2 AP. Video images : Cécile Friedmann. Production FRAC MECA Nouvelle Aquitaine, Bordeaux, France
Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece
Anna Tomaszewski, Apokalupto, 2021, laser photography, 150 x 125 cm,
edition of 5 + 2 AP
Apokalupto, 2021, ceramics, ennamel, 42 x 21 x 7 cm, unique piece
Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP
Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece
Paula Castro, Juntos y Tensos, 2014, nails, elastic band, variable dimensions, unique piece
Violaine Lochu, Hòxó #vossakpé, 2021, video diptych in collaboration with Marcel Gbeffa, 2 flat screens, color, sound, 9’36’’, edition of 5 + 2 AP. Video images : Cécile Friedmann. Production FRAC MECA Nouvelle Aquitaine, Bordeaux, France
Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP
Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel, frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Joongho Yum, Sous la peau, 2018, archival pigment printing on Ivory Mat paper,
70 x 105 cm, edition of 5 + 1 AP
Max Blotas, Lovers are like bees, in that they live a honeyed life (Amantes ut apis vitam mellitam exigunt), 2021, time capsule, chewing-gum, blu tack, thorns, motor, infrared camera, LED, electrical wire, microcontroller, 45 x 35 x 170 cm,
unique piece
Charlotte Delval, Sans Laisse, 2020, brads, plaster, golden ring, 14 x 8,5 x 4 cm, unique piece
Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel,
frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Cloudboy, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 17 x 19 x 2,5 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
19Inside, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 21 x 21 x 6 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Joongho Yum, Sous la peau, 2018, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Max Blotas, Lovers are like bees, in that they live a honeyed life (Amantes ut apis vitam mellitam exigunt), 2021, time capsule, chewing-gum, blu tack, thorns, motor, infrared camera, LED, electrical wire, microcontroller, 45 x 35 x 170 cm, unique piece
Thopter (R), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicen linnei), foies (sarcophaga carnaria), mantes (mantis religiosa) and spiders (hogna radiata), 3,5 x 2,5 x 3 cm, unique piece
Thopter (B), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicien linnei), mantes (mantis religiosa), moths (saturnia pyri), scorpions (tetratrichobothrius avicaudis), 4,5 x 3,5 x 4 cm, unique piece
Thopter (G), 2019, miniature car (1/64), parts of ants (lasius Niger), bee (apis mellifera), centipedes (scolopendra cingulata), flies (musca domestica), mantes (mantis religiosa), scarab (copris lunaris), scorpions (tetratrichobothrius avicaudis), wasps (vespula vulgaris), 4,5 x 3,5 x 4 cm, unique piece
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2,
frame, glass, 100 x 150 cm, edition of 2 + AP
Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel,
frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Cloudboy, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 17 x 19 x 2,5 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
19Inside, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 21 x 21 x 6 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Léo-Paul Barbaut, Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm, brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm, brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Max Blotas, Thopter (R), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicen linnei), foies (sarcophaga carnaria), mantes (mantis religiosa) and spiders (hogna radiata), 3,5 x 2,5 x 3 cm, unique piece
Thopter (B), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicien linnei), mantes (mantis religiosa), moths (saturnia pyri), scorpions (tetratrichobothrius avicaudis), 4,5 x 3,5 x 4 cm, unique piece
Thopter (G), 2019, miniature car (1/64), parts of ants (lasius Niger), bee (apis mellifera), centipedes (scolopendra cingulata), flies (musca domestica), mantes (mantis religiosa), scarab (copris lunaris), scorpions (tetratrichobothrius avicaudis), wasps (vespula vulgaris), 4,5 x 3,5 x 4 cm, unique piece
Maëlle Poirier, Rose Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece
Pseudo, 2020, vidéo from a website page, loop, color mute, 1 h, edition of 5 + 2 AP
Bubble Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece
Symbiose, 2022, ideo (repetitive programme) on screen (16 x 10 cm), plastic box/aquarium (21 x 12,5 x 13,5 cm), mineral oil, pearls, threads
Apple Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece
73-75 rue Quincampoix 75003 Paris France
Tuesday – Saturday 2 pm – 7 pm and with rendez vous
tel : +33 (0)1 42 77 05 97
www.galeriedohyanglee.com
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