Galerie Dohyang Lee » Nefeli Papadimouli http://www.galeriedohyanglee.com Galerie Dohyang Lee, Dohyang Lee Gallery, Bakary Diallo, Elisabeth S. Clark, Geamoon, Hayoun Kwon, Hoël Duret, Julien Creuzet, Magali Lefebvre, Marcos Avila Forero, Marie-Jeanne Hoffner, Paula Castro, Rohwajeong, Romain Vicari, Alice De Mont, Anthea Hamilton, Kristina Solomoukha, Eric Tabuchi, Pierre Leguillon Thu, 16 Apr 2026 14:51:23 +0000 en-US hourly 1 http://wordpress.org/?v=3.8.1 Dream Coat http://www.galeriedohyanglee.com/en/dream-coat?utm_source=rss&utm_medium=rss&utm_campaign=dream-coat http://www.galeriedohyanglee.com/en/dream-coat#comments Wed, 30 Jul 2025 21:31:27 +0000 http://www.galeriedohyanglee.com/?p=22481

Nefeli Papadimouli, Dream Coat, 2024, video, colour, soun…

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Nefeli Papadimouli, Dream Coat, 2024, video, colour, sound, 13’43’’, edition of 5 + 2 AP
Concept, direction, costume design, scenography, scenario, voice over : Nefeli Papadimouli
Editing, sound design, director of production : Vincent Ceraudo
Director of protography, lighting : Clemence Warnier
Colour editing : Dominik Zietlow
Location scouting : Vincent Ceraudo, Nefeli Papadimouli
With Nancy Aguilera Torres, Michel Arcelain, Michèle Benhaim, Delphine Bereski, Ellis Connolly Milone, Alice Coquelle, François Gadois,
Barbara Grynblat, Evelyne Hostingue, Violette Morisseau, Margot Nguyen, Patricia Remy, Annette Sadoul, Brigitte Socier and the voice of Ingrid Ivorra


Viewing upon request

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]]> http://www.galeriedohyanglee.com/en/orions-first-dance-video/feed 0 Orion’s first dance http://www.galeriedohyanglee.com/en/orions-first-dance?utm_source=rss&utm_medium=rss&utm_campaign=orions-first-dance http://www.galeriedohyanglee.com/en/orions-first-dance#comments Wed, 01 Nov 2023 16:15:51 +0000 http://www.galeriedohyanglee.com/?p=20355

Nefeli Papadimouli, Orion’s first dance,2023, HD v…

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Nefeli Papadimouli, Orion’s first dance,2023, HD video, black and white, sound, 10’37’’, edition of 5 + 2 AP
With the participation of the choreographer Théo Pendle.


Thanks to Violette Morisseau, Galerie Dohyang Lee, Orion Ceraudo Papadimouli, Vincent Ceraudo, Victoria Frenak


Viewing upon request

]]> http://www.galeriedohyanglee.com/en/orions-first-dance/feed 0 Être forêts http://www.galeriedohyanglee.com/en/e%cc%82tre-fore%cc%82ts?utm_source=rss&utm_medium=rss&utm_campaign=e%25cc%2582tre-fore%25cc%2582ts http://www.galeriedohyanglee.com/en/e%cc%82tre-fore%cc%82ts#comments Sun, 15 Oct 2023 17:17:44 +0000 http://www.galeriedohyanglee.com/?p=20288

Nefeli Papadimouli, Être forêts, 2021, digital video …

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Nefeli Papadimouli, Être forêts, 2021, digital video with two synchronised canals, color, sound, 13’43’’, edition of 5 + 2 AP
Concept, direction, costume design, production : Nefeli Papadimouli
Cinématography : Youssef Chebbi, Dominik Zietlow
Music : Andres Serres Milan
Editing : Stefan Ramirez Perez, Nefeli Papadimouli
Colour editing : Dominik Zietlow
Lights : Tristan Charles
Location scouting : Vincent Ceraudo, Nefeli Papadimouli
With Ingrid Liavaag, Andy Rankin, Nicolas Faubert, Delphine Bereski, Victoria Freank, Violette Morisseau, Tania Gheerbrant,
Joseph Morisseau, Magali Dougoud, Alessanda Carosi, Halvor Tangen Schultz


Viewing upon request

]]> http://www.galeriedohyanglee.com/en/e%cc%82tre-fore%cc%82ts/feed 0 Espacentres (the positive space) http://www.galeriedohyanglee.com/en/espacentres-the-positive-space?utm_source=rss&utm_medium=rss&utm_campaign=espacentres-the-positive-space http://www.galeriedohyanglee.com/en/espacentres-the-positive-space#comments Sun, 15 Oct 2023 17:16:59 +0000 http://www.galeriedohyanglee.com/?p=20289

Nefeli Papadimouli, Espacentres (the positive space), 20…

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Nefeli Papadimouli, Espacentres (the positive space), 2019, digital video, color, sound, 21’42’’, edition of 5 + 2 AP
Collection Frac Grand Large, France


Viewing upon request

]]> http://www.galeriedohyanglee.com/en/espacentres-the-positive-space/feed 0 Nefeli Papadimouli http://www.galeriedohyanglee.com/en/nefeli-papadimouli?utm_source=rss&utm_medium=rss&utm_campaign=nefeli-papadimouli http://www.galeriedohyanglee.com/en/nefeli-papadimouli#comments Tue, 10 Oct 2023 21:31:28 +0000 http://www.galeriedohyanglee.com/?p=19720 Nefeli Papadimouli



bio / text / works / press / publication



v…

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bio / text / works / press / publication




vidéo

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]]> http://www.galeriedohyanglee.com/en/nefeli-papadimouli/feed 0 The world in my mouth http://www.galeriedohyanglee.com/en/the-world-in-my-mouth?utm_source=rss&utm_medium=rss&utm_campaign=the-world-in-my-mouth http://www.galeriedohyanglee.com/en/the-world-in-my-mouth#comments Mon, 02 Oct 2023 20:17:09 +0000 http://www.galeriedohyanglee.com/?p=20138 Nefeli Papadimouli Curated by Violette Morisseau October 21st – November 18th 2023 press release and pictures]]> THE WORLD IN MY MOUTH


worldmouth_0

Solo show with NEFELI PAPADIMOULI
Curated by Violette Morisseau



21.10 – 18.11.2023



The result of a gentle observation, The World in My Mouth unfolds along two intrinsically linked axes: the vision of Orion, your child, and your own vision. On the ground floor, you explore the changes brought about by motherhood, an inexorable experience of fusion. You talk about the ability to open up a part of yourself to your child, and by extension, to other forms of life. In the lower level, you lead us into an intimate reversal in which Orion introduces us to the world through his eyes, the sounds he transmits and the gestures he teaches us.


The ‘cocoon’ sculptures on which the exhibition opens, suspended or hung, seem like outgrowths of the walls. They have the dual effect of being able to carry and protect a body –either human, mineral or plant – against itself. Skin-to-skin contact creates a symbiotic relationship: the wearer’s body is instinctively covered in scales, adorned with coppery and undulating exoskeletons. In a form of transference, through the contact of the skins, a little of one passes into the body of the other.


As we descend the stairs, Orion’s babbling begins to be heard. At his age, he has the ability to identify and memorise an infinite number of sounds, from every mouth and every culture. Although this skill fades with time and situated learning, these vocalisations are those of a universal song, potentially containing all the languages of the world.


With new-borns, the integration of knowledge is inseparable from moments of sleep: it is during the first phase of sleep, which is often agitated, that the new information gathered during the periods of wakefulness is processed and memorised. This is when a universal phenomenon occurs: the infant’s face displays a succession of innate emotions: joy, surprise, fear, disgust, sadness and anger. Its body moves in sudden, jerky movements, with limbs twitching and relaxing. You observed this sort of spasmodic dance in Orion, and asked the choreographer Theo Pendle to interpret it. Lying on his back, an unsuspended horizon of movement opens up to the dancer: from micro-gestures to convulsions, this is the dance of a body that memorises the world.


In the adjoining room, a soft space where bodies can move without injury, you’ve hung a number of sculptures, remarkable for their haptic qualities. These are works to be looked at lying on your back, to be touched, sculptures to be bitten. Here you return to your lifelong obsession with transitional objects, defined by Winnicott as essential supports for the child’s emotional projections. These objects help them to become aware of their individuality and to see others as the outside world rather than parts of themselves.


You, whose practice constantly tests the elasticity of the distances between individuals in order to reposition them in the world, have decided to put us in the place of a new-born baby. A soft, cuddly world, where things are understood with the mouth. Orion tenderly shows us the way to swallowing the world and assimilating it.


Violette Morisseau
Translated by Emmelene Landon

Printable version of the press release



worldmouth_1

Cocoon (Dragonfly), 2023, sculpture, recycled leather silver color, fabric, 180 x 70 x 30 cm around, unique piece
Cocoon (Sardine), 2023, sculpture, recycled leather turquoise color, fabric,
125 x 60 x 100 cm around, unique piece
Cocoon (Ornithorynque), 2023, sculpture, recycled leather beige color, fabric,
105 x 60 x 15 cm around, unique piece
Cocoon (Ladybug), 2023, sculpture, recycled leather red color, fabric, 85 x 50 x 35 cm around, unique piece


worldmouth_2

Cocoon (Dragonfly), 2023, sculpture, recycled leather silver color, fabric, 180 x 70 x 30 cm around, unique piece


worldmouth_3

Cocoon (Dragonfly), 2023, sculpture, recycled leather silver color, fabric, 180 x 70 x 30 cm around, unique piece
The World in My Mouth (Ear), 2023, Digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame),
19 x 14 cm (with frame), edition of 3 + 2 AP


worldmouth_4

The World in My Mouth (Ear), 2023, Digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame),
19 x 14 cm (with frame), edition of 3 + 2 AP


worldmouth_5

Cocoon (Sardine), 2023, sculpture, recycled leather turquoise color, fabric,
125 x 60 x 100 cm around, unique piece
Cocoon (Ornithorynque), 2023, sculpture, recycled leather beige color, fabric,
105 x 60 x 15 cm around, unique piece
The World in My Mouth (Crouching Caryatid), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame),
19 x 14 cm (with frame), edition of 3 + 2 AP
Cocon (Ladybug), 2023, sculpture, recycled leather red color, fabric, 85 x 50 x 35 cm around, unique piece


worldmouth_6

Cocoon (Ornithorynque), 2023, sculpture, recycled leather beige color, fabric,
105 x 60 x 15 cm around, unique piece
The World in My Mouth (Crouching Caryatid), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame),
19 x 14 cm (with frame), edition of 3 + 2 AP
Cocoon (Ladybug), 2023, sculpture, recycled leather red color, fabric, 85 x 50 x 35 cm around, unique piece


worldmouth_7

Cocoon (Ornithorynque), 2023, sculpture, recycled leather beige color, fabric, 105 x 60 x 15 cm around, unique piece
The World in My Mouth (Crouching Caryatid), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame), 19 x 14 cm (with frame), edition of 3 + 2 AP


worldmouth_8

The World in My Mouth (Crouching Caryatid), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame),
19 x 14 cm (with frame), edition of 3 + 2 AP


worldmouth_9bis

Cocon (Ladybug), 2023, sculpture, recycled leather red color, fabric, 85 x 50 x 35 cm around, unique piece


worldmouth_9

Cocon (Ladybug), 2023, sculpture, recycled leather red color, fabric, 85 x 50 x 35 cm around, unique piece


worldmouth_10

The World in My Mouth (Finger), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak oater frame, 10 x 15 cm (without frame),
14 x 19 cm (with frame), edition of 3 + 2 AP
Cocoon (Dragonfly), 2023, sculpture, recycled leather silver color, fabric, 180 x 70 x 30 cm around, unique piece
The World in My Mouth (Ear), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame),
19 x 14 cm (with frame), edition of 3 + 2 AP
Cocoon (Sardine), 2023, sculpture, recycled leather turquoise color, fabric,
125 x 60 x 100 cm around, unique piece


worldmouth_11

The World in My Mouth (Finger), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 10 x 15 cm (without frame),
14 x 19 cm (with frame), edition of 3 + 2 AP


worldmouth_12

Cocon (Ladybug), 2023, sculpture, recycled leather red color, fabric, 85 x 50 x 35 cm around, unique piece
Cocoon (Beetle), 2023, sculpture, recycled leather kaki color, fabric, 190 x 80 x 25 cm around, unique piece
The World in My Mouth (House), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium,
oak floater frame, 10 x 15 cm (without frame), 14 x 19 cm (with frame), edition of 3 + 2 AP
The World in My Mouth (Venus), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium,
oak floater frame, 25 x 16,5 cm (without frame), 29 x 20,5 cm (with frame), edition of 3 + 2 AP


worldmouth_13

Cocoon (Beetle), 2023, sculpture, recycled leather kaki color, fabric, 190 x 80 x 25 cm around, unique piece
The World in My Mouth (House), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 10 x 15 cm (without frame),
14 x 19 cm (with frame), edition of 3 + 2 AP


worldmouth_14

The World in My Mouth (House), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium,
oak floater frame, 10 x 15 cm (without frame), 14 x 19 cm (with frame), edition of 3 + 2 AP


worldmouth_15

The World in My Mouth (Venus), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 25 x 16,5 cm (without frame),
29 x 20,5 cm (with frame), edition of 3 + 2 AP


worldmouth_16

The World in My Mouth (Eye), 2023, digital color, photography couleur inkjet printed on Epson Baryta paper, glued on 1mm aluminium, oak floater frame, 15 x 10 cm (without frame),
19 x 14 cm (with frame), edition of 3 + 2 AP


worldmouth_17

Teethers, 2023, 62 polymer clay sculptures, plaster, varnish, threads, fabric cushions, variable dimensions, unique pieces. Red light installation. Soundtrack installation, loop, 11’26’, edition of 3 + 2 AP


worldmouth_18bis

Teethers, 2023, 62 polymer clay sculptures, plaster, varnish, threads, fabric cushions, variable dimensions, unique pieces. Red light installation. Soundtrack installation, loop, 11’26’, edition of 3 + 2 AP


worldmouth_19

Teethers, 2023, 62 polymer clay sculptures, plaster, varnish, threads, fabric cushions, variable dimensions, unique pieces. Red light installation. Soundtrack installation, loop, 11’26’, edition of 3 + 2 AP


worldmouth_20

Orion’s first dance, 2023, HD video, black and white, sound, 10’37’’, edition of 5 + 2 AP. With the participation of the choreographer Théo Pendle.
Thanks to Violette Morisseau, Galerie Dohyang Lee, Orion Ceraudo Papadimouli, Vincent Ceraudo, Victoria Frenak


worldmouth_21

Orion’s first dance, 2023, HD video, black and white, sound, 10’37’’, edition of 5 + 2 AP. With the participation of the choreographer Théo Pendle.
Thanks to Violette Morisseau, Galerie Dohyang Lee, Orion Ceraudo Papadimouli, Vincent Ceraudo, Victoria Frenak


worldmouth_22

View of the exhibition The World in My Mouth


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