Galerie Dohyang Lee » Boris Kurdi http://www.galeriedohyanglee.com Galerie Dohyang Lee, Dohyang Lee Gallery, Bakary Diallo, Elisabeth S. Clark, Geamoon, Hayoun Kwon, Hoël Duret, Julien Creuzet, Magali Lefebvre, Marcos Avila Forero, Marie-Jeanne Hoffner, Paula Castro, Rohwajeong, Romain Vicari, Alice De Mont, Anthea Hamilton, Kristina Solomoukha, Eric Tabuchi, Pierre Leguillon Wed, 20 May 2026 13:23:30 +0000 en-US hourly 1 http://wordpress.org/?v=3.8.1 éco (…..) éco (…..) éco (…….) – part II http://www.galeriedohyanglee.com/en/eco-eco-eco-volet-ii?utm_source=rss&utm_medium=rss&utm_campaign=eco-eco-eco-volet-ii http://www.galeriedohyanglee.com/en/eco-eco-eco-volet-ii#comments Fri, 30 Sep 2022 12:06:49 +0000 http://www.galeriedohyanglee.com/?p=19068 Collective exhibition part I December 03rd – December 30th 2022 press release and pictures]]> Available artworks list.


éco (…..) éco (…..) éco (…….) part II


eco_eco_2_0

03.12 – 30.12.2022


The Dohyang Lee Gallery invites you to the second part of its collective exhibition éco (…..) éco (…..) éco (…….). éco 1 is a prefix that comes from the ancient Greek oîkos 2 (house). Unlike the first part, where we dealt with material and social notions, this time we want to ponder upon spiritual notions.

What does HOME mean?

- Legend says that Christmas Day was set for December 25th, in the year 354 AD by Pope Liberius. Indeed, this day corresponded to a pagan feast of the sun’s (rebirt)H, following the winter solstice, theoretical day where the night is the longest. Most people celebrate Christmas with their families and gather home to share memories, look to the future and prepare the new year (as the new sun was expected in this Roman feast).

- In most households there is a profound feeling of l(O)ve among all the members. It is the bond that allows cohesion, solidity and durability between them and to endure the troubles of life. We note a great difference between the atmosphere of Mme de Fleurville’s house and that of the Fichini’s, as described by the Countess de Ségur in her famous trilogy of the Petites Filles Modèles (Good Little Girls). 3

- Let’s imagine someone who lost everything and ended up on the streets. He lives for a while without a home in complete insecurity, sometimes in winter’s cold. Activists and social workers tell that when these people find a home, they can begin a process of personal (rec)O(very), regain dignity, security, rebuild a future and health.

- Some may think of a (com)M(union). Without invoking religion, we think of a communion of people who found a community or a family. This family could be extended like in ancient times, or nuclear like in our present times, but remains a base that allows each person to come into blossom, to build itself.

- Florence Nightingale theorized the practice of nursing after her experience of the Crimean War in the mid 19th century. For her, the need to professionalize a profession, to educate through exercises, to change the condition of housing patients, was the key to reduce diseases. Inside a family, C(are) is one of the essential acts, which is entrusted to parents towards their children in childhood and in return to children towards parents in their old age. This care is often done at home.

- Why not mention the (r)E(turn) of the prodigal son of the parable. Parents falling out with their children, brothers and sisters who no longer speak to each other, friends who separate. Couples who tear themselves apart. Yet the parable tells us of forgiveness, of an unexpected return home of the lost son, which causes the father an infinite joy, but also the jealousy and anger of the eldest son. The return of a lost and found happiness.



1. https://www.oxfordlearnersdictionaries.com/definition/english/eco?q=eco
2. https://en.wiktionary.org/wiki/%CE%BF%E1%BC%B6%CE%BA%CE%BF%CF%82#Ancient_Greek
3. The trilogy includes the Countess of Segur’s novels, Les Malheurs de Sophie, Les Petites Filles Modèles, Les Vacances





eco_eco_2_1

Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper, glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video, color + black and white, sound, 14’, edition of 3 + 1 AP
Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers glued on a wood pannel, 120 x 69,8 cm, unique piece
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions, unique piece
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces
Nefeli Papadimouli, Eventail (une couleur de nous-mêmes pour la dernière fois), 2017 – 2021, color catcher paper, oak wood, golden threads,
brass + associated suit, folded fan : 167 cm high, unfolded fan : 280 cm diameter, unique pieces
La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame, 21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP
Skinscapes, 2022, drawing on technical paper, graphite, white wood frame, 3 mm PVC gluing, 2mm anti – reflect glass, 25 x 40 cm (without frame), 44,5 x 62 cm (with frame), unique piece
Vessels, 2022, drawing on technical paper, graphite, oak wood frame, Marie Louise, glass, 27 x 39,5 (without frame), 37,5 x 49,5 cm (with frame), unique piece


eco_eco_2_2

Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP


eco_eco_2_2ter

Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation, ennameld ceramics, dimensions variables, unique pieces


eco_eco_2_3

Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti reflects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP


eco_eco_2_4

Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper, glass, 50 x 65 cm, unique piece


eco_eco_2_5

Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions, unique piece
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece


eco_eco_2_6

Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video,
color + black and white, sound, 14’, edition of 3 + 1 AP
Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers
glued on a wood pannel, 120 x 69,8 cm, unique piece
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions,
unique piece


eco_eco_2_7

Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece
Laurent Mareschal, Et le douzième mois (2009), 2009, Christmas Tree with cut branches covered with plaster, 127 x 36 x 25 cm, unique piece
Minsook Kang, Plant Human, 2022, single channel video,
color + black and white, sound, 14’, edition of 3 + 1 AP
Alexis Foiny, Solastalgia Medeor, 2022, nylon thread based 3D printed ower, pigments, ceramics piece, glass basements, fragrance glass bottle realised in collaboration with Domitille Michalon- Bertier et IFF, variable dimensions,
unique piece


eco_eco_2_8

Loïs Szymczak, Les marches de la honte, 2021, collage on wood, paper, walnut ink, acrylic, wood frame, 122 x 122 cm, unique piece
Jade De Rooster, Kaléidoscope, 2022, silk screened papers glued on a wood pannel, 120 x 69,8 cm, unique piece


eco_eco_2_9

Nefeli Papadimouli, Eventail (une couleur de nous-mêmes pour la dernière fois), 2017 – 2021, color catcher paper, oak wood, golden threads, brass + associated suit, folded fan : 167 cm high, unfolded fan : 280 cm diameter, unique pieces
La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame, 21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP
Skinscapes, 2022, drawing on technical paper, graphite, white wood frame, 3 mm PVC gluing, 2mm anti – reflect glass, 25 x 40 cm (without frame), 44,5 x 62 cm (with frame), unique piece
Vessels, 2022, drawing on technical paper, graphite, oak wood frame, Marie Louise, glass, 27 x 39,5 (without frame), 37,5 x 49,5 cm (with frame), unique piece
Carolina De La Roche,Sans titre, 2022, collage, frame, glass, 18 x 13 cm (without frame), 31 x 25 cm (with frame), unique piece
Cartographie des souvenirs, 2020, fabric collage, frame, glass, 20 x 20 cm (without frame), 23 x 23 cm (with frame), unique piece
Ver de cerca, 2018, collage, frame, glass, 11,5 x 9 cm (without frame),
15 x 20 cm (with frame), unique piece
Trémula, 2021, collage, frame, glass, 21 x 15 cm (without frame),
32,5 x 26 cm (with frame), unique piece
Vagabundos Buscando significacion, 2019, collage, frame, glass, 22 x 14 cm (without frame), 37 x 28 cm (with frame), unique piece
Los Tortolitos, 2021, collage, frame, glass, 35 x 25 cm (without frame), 56 x 40,5 cm (with frame), unique piece
Sans titre, 2022, pencil drawing, frame, glass, 14 x 9 cm (without frame), 27 x 21 cm (with frame), unique piece
Sans titre, 2022, collage, frame, glass, 23 x 17 cm (without frame), 26 x 20 cm (with frame), unique piece


eco_eco_2_10

Nefeli Papadimouli, La Parade (Trois n°2), 2021, three colored photographs, inkjet printing on Epson Fine Art paper, frame,
21,5 x 16 cm (without frame), 25 x 19,5 cm (with frame), edition of 5 + 1 AP


eco_eco_2_11

Charlotte Seidel, Feuille (Robinier, Square Viviani), 2022, robinia leaves, 23kt gold leaf, 25 x 7,5 x 3,5 cm, unique piece
Boris Kurdi, Sans titre, 2022, graphite and color pencils on green paper, cardboard, 11,9 x 17,6 cm (drawing), 12,7 x 18,4 cm (cardboard),
unique piece
DRDR, 2022, graphite and color pencils on paper, cardboard, 12,2 x 19,4 cm (drawing), 13 x 20,1 cm (cardboard), unique piece
Sans titre, 2022, graphite and color pencils on paper, cardboard, 8,9 x 13,6 cm (drawing), 9,6 x 14,6 cm (cardboard, unique piece


eco_eco_2_12

Charlotte Seidel, Feuille (Robinier, Square Viviani), 2022, robinia leaves, 23kt gold leaf, 25 x 7,5 x 3,5 cm, unique piece


eco_eco_2_13

Kyunglynn Chang, Not so functional objects (Grey), 2022, digital printing on poster, 42 x 29,7 cm, edition of 50
Not so functional objects (Navy), 2022, digital printing on poster,
42 x 29,7 cm, edition of 50
Morgane Porcheron, Plante Sauvage #1 – 12, 2021, installation,
ennameld ceramics, dimensions variables, unique pieces
Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper
, variable dimensions, unique pieces
Léa Barbazanges, Optiques, 2015, 12 digital printings, printing on baryta Hahnemühle paper, anti re ects glass, lead, 19,5 x 14,5 cm each,
edition of 7 + 2 AP
Natalia Villanueva Linares, Desmedida (extraits) Briques 1 – 9, 2018 – 2022, 8 bricks of hundreds second hand clothing patterns, tied together with thread, 23 cm x 9 cm x 6 cm each brick (approximative size), 1 brick of hundreds of hundreds second hand clothing patterns, tied together with thread, transparent vinyl sewn with golden thread, 23 cm x 9 cm x 6 cm (approximative size), unique pieces
Joongho Yum, Sous la peau, 2021, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Charlotte Delval, Hors Saison – Honorine, 2022, graphite on speckled blue canson paper, glass, 50 x 65 cm, unique piece
Hors Saison – Herbe, 2022, graphite on speckled pink canson paper,
glass, 50 x 65 cm, unique piece
Hors Saison – Humus, 2022, graphite on aneth green canson paper,
glass, 50 x 65 cm, unique piece


eco_eco_2_14

Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper, variable dimensions, unique pieces


eco_eco_2_15

Kyunglynn Chang, Dasik Incense Holder (Light Blue), 2022, jesmonite, pigments, epoxy glue, 13 x 13 x 3 cm, edition of 5
Dasik Incense Holder (Purple), 2022, jesmonite, pigments, epoxy glue, 13 x 13 x 3 cm, edition of 5


eco_eco_2_16

Kyunglynn Chang, Not so functional objects (Grey), 2022, digital printing on poster, 42 x 29,7 cm, edition of 50
Not so functional objects (Navy), 2022, digital printing on poster,
42 x 29,7 cm, edition of 50
Dasik Incense Holder (Light Blue), 2022, jesmonite, pigments, epoxy glue,
13 x 13 x 3 cm, edition of 5
Dasik Incense Holder (Purple), 2022, jesmonite, pigments, epoxy glue,
13 x 13 x 3 cm, edition of 5
Moongi Gim, Poor Piece, 2022, scultpures series, scotch tape on paper, variable dimensions, unique pieces


eco_eco_2_17

Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread,
47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP
Gabriel Moraes Aquino, Jimmy, 2022, ennameld ceramics, 14 x 9,5 cm, unique piece. Production Fondation Fiminco
Sakuras, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece. Production Fondation Fiminco
Sapinière, 2022, ennameld ceramics, 11 x 8 cm, unique piece. Production Fondation Fiminco
Canal, 2022, ennameld ceramics, 10 x 13 cm, unique piece. Production Fondation Fiminco


eco_eco_2_18

Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread,
47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP


eco_eco_2_19

Anna Tomaszewski, Apokalupto, 2021, ceramics, ennamel, 42 x 21 x 7 cm,
unique piece
Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces
Gabriel Moraes Aquino, Pelouse, 2022, ennameld ceramics, 8 x 14 cm,
unique piece. Production Fondation Fiminco
Monnaie, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece.
Production Fondation Fiminco
Paddock, 2022, ennameld ceramics, 13 x 13,5 cm, unique piece.
Production Fondation Fiminco
Usine, 2022, ennameld ceramics, 14 x 10 cm, unique piece.
Production Fondation Fiminco
Flor Metal, 2022, ennameld ceramics, 6,5 x 10 cm, unique piece.
Production Fondation Fiminco
Squat, 2022, ennameld ceramics, 7 x8 cm, unique piece.
Production Fondation Fiminco
Tank, 2022, ennameld ceramics, 10 x 7,5 cm, unique piece.
Production Fondation Fiminco
Chantier, 2022, ennameld ceramics, 7 x 6 cm, unique piece.
Production Fondation Fiminco
Jimmy, 2022, ennameld ceramics, 14 x 9,5 cm, unique piece.
Production Fondation Fiminco
Sakuras, 2022, ennameld ceramics, 19,5 x 14,5 cm, unique piece.
Production Fondation Fiminco
Sapinière, 2022, ennameld ceramics, 11 x 8 cm, unique piece.
Production Fondation Fiminco
Canal, 2022, ennameld ceramics, 10 x 13 cm, unique piece.
Production Fondation Fiminco
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP


eco_eco_2_20

Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces


eco_eco_2_21

Paula Castro, Juntos y Tensos, 2014, nails, elastic band, variable dimensions, unique piece
Violaine Lochu, Hòxó #vossakpé, 2021, video diptych in collaboration with Marcel Gbeffa, 2 flat screens, color, sound, 9’36’’, edition of 5 + 2 AP. Video images : Cécile Friedmann. Production FRAC MECA Nouvelle Aquitaine, Bordeaux, France
Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece
Anna Tomaszewski, Apokalupto, 2021, laser photography, 150 x 125 cm,
edition of 5 + 2 AP
Apokalupto, 2021, ceramics, ennamel, 42 x 21 x 7 cm, unique piece
Sun Choi, Roke Hon – Mono, 2011, books, stones, action of the Roke typhoon, variable dimensions, unique pieces
Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP


eco_eco_2_22

Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece


eco_eco_2_23

Paula Castro, Juntos y Tensos, 2014, nails, elastic band, variable dimensions, unique piece
Violaine Lochu, Hòxó #vossakpé, 2021, video diptych in collaboration with Marcel Gbeffa, 2 flat screens, color, sound, 9’36’’, edition of 5 + 2 AP. Video images : Cécile Friedmann. Production FRAC MECA Nouvelle Aquitaine, Bordeaux, France
Charlotte Seidel, Les Oeillets, 2022, cotton, carnations, 73,5 x 44 cm, unique piece


eco_eco_2_24

Nefeli Papadimouli, Espacentres, 2019, artist’s book, canvas, cardboard, laser print on cotton paper, thread, 47,5 x 33 x 2,5 cm (folded book), 47,5 x 65,5 x 2,5 cm (unfolded book), edition of 5 + 2 AP
Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2, frame, glass, 100 x 150 cm, edition of 2 + AP
Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel, frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Joongho Yum, Sous la peau, 2018, archival pigment printing on Ivory Mat paper,
70 x 105 cm, edition of 5 + 1 AP
Max Blotas, Lovers are like bees, in that they live a honeyed life (Amantes ut apis vitam mellitam exigunt), 2021, time capsule, chewing-gum, blu tack, thorns, motor, infrared camera, LED, electrical wire, microcontroller, 45 x 35 x 170 cm,
unique piece
Charlotte Delval, Sans Laisse, 2020, brads, plaster, golden ring, 14 x 8,5 x 4 cm, unique piece


eco_eco_2_25

Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel,
frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Cloudboy, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 17 x 19 x 2,5 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
19Inside, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 21 x 21 x 6 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Joongho Yum, Sous la peau, 2018, archival pigment printing on Ivory Mat paper, 70 x 105 cm, edition of 5 + 1 AP
Max Blotas, Lovers are like bees, in that they live a honeyed life (Amantes ut apis vitam mellitam exigunt), 2021, time capsule, chewing-gum, blu tack, thorns, motor, infrared camera, LED, electrical wire, microcontroller, 45 x 35 x 170 cm, unique piece
Thopter (R), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicen linnei), foies (sarcophaga carnaria), mantes (mantis religiosa) and spiders (hogna radiata), 3,5 x 2,5 x 3 cm, unique piece
Thopter (B), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicien linnei), mantes (mantis religiosa), moths (saturnia pyri), scorpions (tetratrichobothrius avicaudis), 4,5 x 3,5 x 4 cm, unique piece
Thopter (G), 2019, miniature car (1/64), parts of ants (lasius Niger), bee (apis mellifera), centipedes (scolopendra cingulata), flies (musca domestica), mantes (mantis religiosa), scarab (copris lunaris), scorpions (tetratrichobothrius avicaudis), wasps (vespula vulgaris), 4,5 x 3,5 x 4 cm, unique piece


eco_eco_2_26

Thomas Garnier, Chimera, 2021, concrete block, light bar, multiple dimensions, series of 20 unique pieces
Strates, Acropolis, Sumer, Arches, Prismes, 2021, photocarving on Hahnemüle paper 1584 300g/m2,
frame, glass, 100 x 150 cm, edition of 2 + AP
Léo-Paul Barbaut, Parimaginaire, 2020, etching carving, precut copper pannel,
frame, glass, 29 x 39 cm (without frame), 31 x 41 cm (with frame), unique piece
Cloudboy, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 17 x 19 x 2,5 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
19Inside, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 21 x 21 x 6 cm,
brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces


eco_eco_2_27

Léo-Paul Barbaut, Cahute, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 26 x 19 x 8 cm, brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces
Polyhouse, 2022, paper clay porcelain ceramics dyed with color oxides, glaze, glaze, 33 x 19 x 7 cm, brass and bronze metallic shapes, mechanical pencil drawn fresco, unique pieces


eco_eco_2_28

Max Blotas, Thopter (R), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicen linnei), foies (sarcophaga carnaria), mantes (mantis religiosa) and spiders (hogna radiata), 3,5 x 2,5 x 3 cm, unique piece
Thopter (B), 2019, miniature car (1/64), parts of bees (apis mellifera), centipedes (scolopendra cingulata), cicadae (neotibicien linnei), mantes (mantis religiosa), moths (saturnia pyri), scorpions (tetratrichobothrius avicaudis), 4,5 x 3,5 x 4 cm, unique piece
Thopter (G), 2019, miniature car (1/64), parts of ants (lasius Niger), bee (apis mellifera), centipedes (scolopendra cingulata), flies (musca domestica), mantes (mantis religiosa), scarab (copris lunaris), scorpions (tetratrichobothrius avicaudis), wasps (vespula vulgaris), 4,5 x 3,5 x 4 cm, unique piece


eco_eco_2_29

Maëlle Poirier, Rose Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece
Pseudo, 2020, vidéo from a website page, loop, color mute, 1 h, edition of 5 + 2 AP
Bubble Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece
Symbiose, 2022, ideo (repetitive programme) on screen (16 x 10 cm), plastic box/aquarium (21 x 12,5 x 13,5 cm), mineral oil, pearls, threads
Apple Shape Device, 2022, plastic, resin, mini screens, blackberry touches, led, arduino, around 13 x 12 cm, unique piece



………………………………………………..

73-75 rue Quincampoix 75003 Paris France
Tuesday – Saturday 2 pm – 7 pm and with rendez vous
tel : +33 (0)1 42 77 05 97
www.galeriedohyanglee.com


logo_mail logo_facebook logo_twitter logo_instagram………………………………………………..
]]> http://www.galeriedohyanglee.com/en/eco-eco-eco-volet-ii/feed 0 Protected: Try – video with sound http://www.galeriedohyanglee.com/en/try-video-avec-son?utm_source=rss&utm_medium=rss&utm_campaign=try-video-avec-son http://www.galeriedohyanglee.com/en/try-video-avec-son#comments Sat, 23 Apr 2022 10:30:13 +0000 http://www.galeriedohyanglee.com/?p=18581

This content is password protected. To view it please enter your password below:

]]> http://www.galeriedohyanglee.com/en/try-video-avec-son/feed 0 Try http://www.galeriedohyanglee.com/en/try-2?utm_source=rss&utm_medium=rss&utm_campaign=try-2 http://www.galeriedohyanglee.com/en/try-2#comments Fri, 18 Mar 2022 14:19:42 +0000 http://www.galeriedohyanglee.com/?p=18255

Boris Kurdi, Try, 2022, video installation in situ (accord…

]]>

Boris Kurdi, Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with
Théo Chabolle, loop, color, mute, 0’55’’, edition of 3 + 1 AP

Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with
Théo Chabolle, loop, color, sound, 0’55’’, edition of 3 + 1 AP. Music and sound design : Aram Abbas[/caption]


Viewing upon request

]]> http://www.galeriedohyanglee.com/en/try-2/feed 0 Protected: Try – video http://www.galeriedohyanglee.com/en/try-video?utm_source=rss&utm_medium=rss&utm_campaign=try-video http://www.galeriedohyanglee.com/en/try-video#comments Sat, 12 Mar 2022 15:45:05 +0000 http://www.galeriedohyanglee.com/?p=18254

This content is password protected. To view it please enter your password below:

]]> http://www.galeriedohyanglee.com/en/try-video/feed 0 Try http://www.galeriedohyanglee.com/en/try?utm_source=rss&utm_medium=rss&utm_campaign=try http://www.galeriedohyanglee.com/en/try#comments Fri, 18 Feb 2022 10:21:55 +0000 http://www.galeriedohyanglee.com/?p=18176 Boris Kurdi March 12th – April 16th 2022 press release and pictures]]> TRY
Available artworks list.

try_web

12.03 – 16.04.2022
Opening on 12.03.2022 from 6 pm to 9 pm

For this exhibition, I’ve worked as a reporter: I’ve seen – I show.
Doing so, when I could identify them, the substance and form observed became isolated.
Micromégas,* in his wanderings, also came across this problem.

In this case I’d like a rangefinder for a crutch, because it’s difficult to appreciate certain distances.
Like those of time: hunger, a glance. Longing.
Like understanding a straight right. A distorted corridor in a spaceship in the form of a wheel.

So be it: I have decided to make images from the vertiginous point of view of the draftsman.
Because I cannot ignore that my expression is characterized by a mad technological progress.
And it can hold my hand back.
Following these reflexions, instinctively, I’ve positioned myself around my impressions.

Like skulls were adorned in prehistoric times.

Boris Kurdi
Translated in English by Emmelene Landon

* Read Micromégas, François-Marie Arouet known as Voltaire, 1752.
** Watch 2001, A Space Odyssey, Stanley Kubrick, 149 min, 1968.



Boris Kurdi was born in 1990. He lives and works in Paris after graduating from the École Nationale Supérieure des Beaux-Arts de Paris in 2017. Among his recent collective exhibitions, he participated in 2020 in PHYSICAL STRATEGY, EPOXY and CRIMES, at Doc in Paris. In 2018, he exposed at Fin del Mundo, Bagnoler and Energy Crisis, Wonder in Bagnolet. That same year, after finishing his studies at the Beaux-Arts de Paris, Boris Kurdi exhibited in 100% BEAUX-ARTS at La Villette and in Felicità 18 at the Beaux-Arts. He was invited by Bétonsalon – Centre d’art et de recherche, to participate in Raccourcis & Paraboles, in 2016. Boris Kurdi was awarded the 2020/2021 Fondation Pernod Ricard Prize.



try_1

Boris Kurdi, Untitled, 2022, diptych, mixed media on paper glued 1 mm aluminium dibond, 72 x 218 cm, unique piece



try_2

Boris Kurdi, Untitled, 2022, diptych, mixed media on paper glued 1 mm aluminium dibond, 72 x 218 cm, unique piece
Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece



try_3

Boris Kurdi, Untitled (detail), 2022, diptych, mixed media on paper glued 1 mm aluminium dibond, 72 x 218 cm, unique piece



try_4

Boris Kurdi, Untitled (detail), 2022, diptych, mixed media on paper glued 1 mm aluminium dibond, 72 x 218 cm, unique piece



try_5

Boris Kurdi, Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece
Shagreen, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on high reflexion photo paper, 31,2 x 25 x 3,5 cm, unique piece
Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece



try_6

Boris Kurdi, Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece



try_7

Boris Kurdi, Shagreen, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on high reflexion photo paper, 31,2 x 25 x 3,5 cm, unique piece



try_8

Boris Kurdi, Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece



try_9

Boris Kurdi, Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece
Shagreen, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on high reflexion photo paper, 31,2 x 25 x 3,5 cm, unique piece
Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece
Astigmatism in my soul, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece
Untitled, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece



try_10

Boris Kurdi, Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece
Astigmatism in my soul, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece
Untitled, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece



try_11

Boris Kurdi, Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece
Shagreen, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on high reflexion photo paper, 31,2 x 25 x 3,5 cm, unique piece
Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece
Astigmatism in my soul, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece
Untitled, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece
Untitled,2019, sculpture, eraser, cardboard chocolate box, 15 cm high x 4 cm diameter, unique piece



try_12

Boris Kurdi, Untitled,2019, sculpture, eraser, cardboard chocolate box,
15 cm high x 4 cm diameter, unique piece



try_13

Boris Kurdi, Untitled, 2022, diptych, mixed media on paper glued 1 mm aluminium dibond, 72 x 218 cm, unique piece
Untitled, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on glossy photo paper,
25 x 31,2 x 3,5 cm, unique piece
Shagreen, 2022, wood frame sculpted by the artist, shagreen, pastel and printing on high reflexion photo paper, 31,2 x 25 x 3,5 cm, unique piece
Astigmatism in my soul, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece
Untitled, 2022, pigment printing on blue back paper, 71 x 100cm, unique piece (presentation) /
2022, lambda color printing on glossy RC paper, 71 x 100cm, unique piece



try_14

Boris Kurdi, Untitled, 2020, graphite on green draft paper, 21 x 29,7cm, unique piece
Untitled, 2020, graphite on paper, 15 x 10,5 cm, unique piece
Untitled, 2020, graphite and colored pencils on green draft paper, 21 x 14,5 cm, unique piece



try_17

Boris Kurdi, Untitled, 2020, graphite on green draft paper, 21 x 29,7cm, unique piece



try_16

Boris Kurdi, Untitled, 2020, graphite on paper, 15 x 10,5 cm, unique piece



try_15

Boris Kurdi, Untitled, 2020, graphite and colored pencils on green draft paper, 21 x 14,5 cm, unique piece



try_18

Boris Kurdi, Untitled, 2020, graphite and colored pencils on green draft paper, 21 x 14,5 cm, unique piece
Untitled, 2022, lambda color printing on glossy RC paper, 98,7 x 69,4 cm, pièce unique



try_19

Boris Kurdi, Untitled, 2022, lambda color printing on glossy RC paper, 98,7 x 69,4 cm, pièce unique



try_20

Boris Kurdi, Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, mute, 0’55’’, edition of 3 + 1 AP

Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, sound, 0’55’’, edition of 3 + 1 AP. Music and sound design : Aram Abbas



try_21

Boris Kurdi, Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, mute, 0’55’’, edition of 3 + 1 AP

Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, sound, 0’55’’, edition of 3 + 1 AP. Music and sound design : Aram Abbas



try_22

Boris Kurdi, Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, mute, 0’55’’, edition of 3 + 1 AP

Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, sound, 0’55’’, edition of 3 + 1 AP. Music and sound design : Aram Abbas



try_23

Boris Kurdi, Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, mute, 0’55’’, edition of 3 + 1 AP

Try, 2022, video installation in situ (according to the location), 3D animation by Boris Kurdi, in collaboration with Théo Chabolle, loop, color, sound, 0’55’’, edition of 3 + 1 AP. Music and sound design : Aram Abbas



………………………………………………..

73-75 rue Quincampoix 75003 Paris France
Tuesday – Saturday 2 pm – 7 pm and with rendez vous
tel : +33 (0)1 42 77 05 97
www.galeriedohyanglee.com



logo_mail logo_facebook logo_twitter logo_instagram………………………………………………..
]]> http://www.galeriedohyanglee.com/en/try/feed 0 Boris Kurdi http://www.galeriedohyanglee.com/en/boris-kurdi?utm_source=rss&utm_medium=rss&utm_campaign=boris-kurdi http://www.galeriedohyanglee.com/en/boris-kurdi#comments Mon, 24 Jan 2022 00:45:26 +0000 http://www.galeriedohyanglee.com/?p=18067 Boris Kurdi



bio / text / works / press



vidéo

try




…

]]> Boris Kurdi



bio / text / works / press




vidéo

try




]]> http://www.galeriedohyanglee.com/en/boris-kurdi/feed 0